Category: Arts & culture

Reading list: The New Climate War

Michael E. Mann, The New Climate War (New York: Public Affairs, 2021), 2022 paperback edition with a new Epilogue.

Michael Mann is a real live actual climate scientist, a professor of atmospheric science at Penn State. He’s also a pretty good writer. That’s a great combination, if you want to read about climate change.

His book The New Climate War doesn’t bother rehearsing the arguments for the validity of global climate change. As he says in the book, the science is clear now. There is now doubt that climate change is real, and that we are already witnessing some of the predicted changes (and disasters) that result from climate change.

Instead, Mann takes on Big Oil. He points out that Big Oil is no longer engaging in climate change denial. They have changed tactics. They want to slime out of taking any responsibility for causing climate change. Even though they knew that climate change was real back in the 1970s and 1980s, even though they made accurate predictions of the effects of climate change that far back, they desperately want to pretend they have no responsibility for climate change.

So instead of taking responsibility for climate change themselves, Big Oil wants us to believe that if we would just change our personal behavior — if we would just drive electric cars, stop flying on jets, and turn the thermostat down — climate change will end. They want us to believe it’s our fault. And Big Oil has figured out that if we believe that our personal behavior is what’s most important, we are far less likely to demand that Big Oil be held politically accountable.

That’s not the only sleazy, manipulative practice that Big Oil is engaging in. Mann details several other tactics, such as doomsaying — it’s all so bad, we can’t change anything, so let’s just give up. Once again, doomsaying lets Big Oil off the hook. Another tactic is promoting wild-eyed technological fixes — because if there’s some wild technological fix that’s going to come along in a couple of years (we can spew particles in the sky to block the sun! we can wait for cold fusion!), then yet again, Big Oil will not be held accountable. Yet again, Big Oil will be able to keep on raking in record profits.

But Mann says that we know what we have to do. We don’t need what he calls “false solutions.” We have to do things like follow the 2015 climate accords (which Big Oil would love to have us ignore, because it will cut into their profits). We have to push proven technologies like renewable energy (which Big Oil wants us to stop doing, because renewables cut into their profits). And we, the citizens, have to hold our political leaders’ feet to the fire (and stop electing leaders who are beholden to Big Oil). We cannot let Big Oil distract us from what actually needs to be done.

A quick read, and well-written, a necessary call to arms. Highly recommended.

(I only wish someone would write equally good books about the other ecological disasters facing us, like the spread of invasive species, and toxication, and land use change.)

World Ukulele Day

I’m two days late for World Ukulele Day. Sigh.

But here’s my playlist for this year’s World Ukulele Day. It’s mostly instrumental, except for two pieces. Many of the performers are from Hawai’i, of course, but I tried to make this about world ukulele by including players from Thailand, Japan, the US mainland, Germany, England, and Canada. Musical styles range from traditional Hawai’ian to jazz to pop to folk and beyond.

Bach’s Sonata in G minor, BWV 1001: IV, Presto performed by Corey Fujimoto (Hawai’i)

Corey Fujimoto may not be showy like some Big Name Uke Players, but his musicianship and technical prowess are top drawer. This Presto movement from a Bach sonata shows off both his technical prowess, and his excellent musical taste.

Screen grab showing Corey Fujimoto playing ukulele.
Screen grab from the Corey Fujimoto video

“Ukulele, I Love You” written and performed by Singto Numchok with the Ribbee Crew (Thailand)

The words to this song are both silly and sweet. The real joy in this video is watching five top-notch uke players, all doing different things with the same tune. If you have five really good uke players, you really don’t need any other instruments.

“Precious” performed by Ryo Natoyama (Japan)

Japan has some of the best uke players in the world, and Natoyama is one of Japan’s best players. Enough said.

“Spain” performed by Andrew Molina, Kalei Gamaio, and Neal Chin (Hawai’i)

Three younger uke players trading improvised solos based on Chick Corea’s jazz standard “Spain.”The musical interaction between the three players results in sheer joy.

Screen grab from the video showing Kalei Gamaio soloing, flanked by Neal Chin and Andrew Molina, both of whom are smiling.
Screen grab from the video. L-R: Neal Chin, Kalei Gamaio, Andrew Molina

“Ka Ipo Lei Manu” by Julia Kapiolani performed by John King (US mainland)

John King was trained as a classical guitarist in the campanella style, and he made his name in uke circles by performing classical music on the uke. His arrangements of melodies by Hawai’ian composers are less well known, but well worth listening to. Both his arrangements and his playing are understated, allowing the beauty of the melodies to shine through.

“Little Grass Shack” performed by Ohta-san, Herb Ohta Sr. (Hawai’i)

Ohta-san really was as great as his reputation would have him be. A delightful rendition of this well-known hapa haole tune.

“Babooshka” by Kate Bush performed by Elisabeth Pfeiffer (Germany)

Pfeiffer is another player who trained as a classical guitarist then switched to uke. She is probably best known for her uke method books, but her performances are well worth listening to as well.

“When There’s a Shine on Your Shoes” performed by George Harrison (England)

A video from the near end of Harrison’s life. Topnotch rhythm playing from a master guitarist and uke player. (Note the name “Keoki” on the headstock of the uke — that’s Harrison’s uke name.)

A screen grab from the video of George Harrison playing "I've Got a Shine on My Shoes," showing harrison holding a uke and smiling into the camera.
Screen grab from the George Harrison video.

“Swallowtail Medley” performed by John King (US mainland) and James Hill (Canada)

James Hill is a ukulele virtuoso, and he sometimes suffers from virtuoso-itis, making music more complicated than it needs to be. Not in this video, where Hill plays second fiddle, er uke, to John King.

“Neptune’s Storm” performed by Taimane Tauiliili Bobby Gardner (Hawai’i)

Taimane Gardner is another incredible uke player who sometimes suffers from virtuoso-itis. But in this performance, the high level virtuosity she displays is well matched to the requirements of the music.

“Somewhere Over the Rainbow” and “What a Wonderful World” performed by Israel Kamakawiwo’ole (Hawai’i)

For my money, Israel Kamakawiwo’ole was the best ukulele player ever. He doesn’t play with the virtuoso pyrotechnics of a James Hill, a Jake Shimabukuro, or a Taimane Gardner. But his playing is perfect. So is his singing.

For Carol and Ed.

Special bonus: Brittni Paiva playing Over the Rainbow

And I just had to add something by Sungha Jung — here’s his version of Pachelbel’s Canon in D

2/5: Updated with descriptions of the music, and a couple of screen grabs.

90 seconds to midnight

Since 1947, the Bulletin of the Atomic Scientists has maintained the “Doomsday Clock.” That mythical clock shows how close humanity is to total destruction. Originally, the Clock only looked at the danger from nuclear armageddon, but in recent years has included threats from ecological catastrophe, bio-security, and other controllable threats to humanity.

The Clock was advanced from its previous setting of 100 seconds before midnight (i.e., to destruction), up to 90 seconds before midnight. According to Rachel Bronson, PhD, president and CEO, Bulletin of the Atomic Scientists: “90 seconds to midnight is the closest the Clock has ever been set to midnight.” The Bulletin’s press release attributes most of the increase in threat to humanity to Russia’s invasion of Ukraine and ongoing threats that Russia will use nuclear weapons.

Ten years ago, the Clock was set to 5 minutes (300 seconds) to midnight. When I first got active in the movement calling for reduction in nuclear stockpiles, back in the late 1970s, the Clock was set at 9 minutes to midnight, and we thought that was terrifying.

I still remember attending a Sun Ra concert in Philadelphia sometimes around 1983, when Sun Ra led his band in a snake dance through the audience while chanting, “It’s a motherfucker / Don’t you know / If they press that button / Your ass gonna go.” That chant was one of the things that helped me make sense of something you can’t really make sense out of. Nuclear war. It’s a motherfucker — and Sun Ra never used strong language, except in this piece, but that strong language is the only possible language for this topic — but there it is. Don’t get frantic about nuclear disaster, but don’t ignore it either. Confront it head on, in all its seriousness, with all the possibility of oblivion, while making music about it.

(For the record, the live version I remember hearing differs from the 1982 recorded version. Musically, the version I heard in Philadelphia is probably more like the live version recorded in Germany in 1984; though the words of the German recording differ from what I remember. There’s also the version recorded in Paris in 1983, which is quite different musically. No matter. If you’re looking to make sense out of nuclear armageddon, the effect of any of the recorded versions is the same: helping us make sense of the senseless.)

A screen grab from the 1984 film showing Sun Ra and his band, dressed in elaborate costumes, performing "Nuclear War." A subtitle in French reads, "S'ils appuient sur le bouton," i.e., "If they press the button...."
Screen grab from a 1984 film of Sun Ra performing “Nuclear War” in Paris.

Chicago

I wound up with a 7 hour layover in Chicago. The nice thing about train travel is that when you have a layover, you can leave the terminal. And when you have a layover in Chicago, you’re downtown, right in the Loop.

The Art Institute is closed on Tuesdays, so I went to Exile in Bookville, a bookstore on the second floor of the Fine Arts Building on Michigan Ave. The Fine Arts Building still retains much of its 1898 decor, and it even still has elevators that need to be operated by human beings. Exile in Bookville turned out to be an excellent small bookstore. I passed over William Cronon’s environmental history of Chicago and the midwest (too bulky to carry on the train) and instead bought The Future Is Disabled by Leah Lakshmi Piepzna-Samarasinha. I also stopped at the DePaul University bookstore, which is run by Barnes and Noble.

By then it was half past four. Time to start walking slowly back to Union Station. I stopped to take a photo of part of a public art work on Quincy St. at South State St.

A semi-abstract sculpture that looks vaguely like a tree or a very large plant.
Public art, Quincy Street at South State Street, Chicago

As I continued walking, I looked for more public art….

Photomontage showing two statues of women, one symbolizing agriculture and one symbolizing industry.
Photomontage, Chicago Board of Trade statues symbolizing agriculture and industry, c. 1885
A large bright red abstract sculpture standing in a plaza surrounded by skyscrapers.
Alexander Calder, Flamingo, Klucynzski Federal Building, Chicago, 1973
A large sculpture, about 100 feet tall, that looks like a huge baseball bat.
Claes Oldenberg, Batcolumn, Social Security Administration Building, Chicago, 1977

It turned out to be a very pleasant layover in Chicago.

Bring back blogging

Twitter is in meltdown. Ash and Ryan want to bring back blogging. So they created a site called Bring Back Blogging. They have a simple idea:

  • Create some longer-form content
  • Serve it up through an RSS feed (blog, Tumblr, Substack, whatever)
  • Commit to three posts inJanuary
  • Submit your blog to their site, and they put it in their directory.
  • Follow other people’s RSS feeds.

I’d add:

  • Comment on, or blog about, someone else’s blog. (In fact, you don’t have to have your own blog, you can comment on other people’s blogs)

Ash and Ryan aimed their pitch at artists, writers, etc., so I didn’t submit my blog to their directory. But the rest of us can do this, too. And if you start blogging (again), post a comment here.

(Thanks to Scott for this link.)

Distorting Martin Luther King’s legacy

In a Religion News Service interview with Adelle Banks, Lewis V. Baldwin, a scholar of Rev. Dr. Martin Luther King’s works, makes the following point:

“[Dr. King’s] legacy is being hijacked, misinterpreted. For an example, on the extreme right of the political spectrum, there are those who argue that Dr. King was opposed to affirmative action, and they make that argument without any proof at all. There are also those on the right who make the argument that Dr. King, if he were alive, would be opposed to critical race theory. Some have argued that he would be a Republican if he were alive. So all of these claims are made without any foundation whatsoever. Because the people who make the claims obviously have not read Dr. King. They don’t understand his message.”

Banks then asks if political liberals a distorting King’s legacy. Baldwin replies:

“The only problem I have with the left is that there has not been enough of a pushback on what is happening on the right, in terms of their [the right’s] distortion of Dr. King’s message, his ideals.”

Jane Doe Inc.

As those of us here in Cohasset continue to follow the story of Ana Walshe — she’s the woman who disappeared on January 1, and whose husband has been arrested for lying to investigators — I thought it might be worth highlighting the work of Jane Doe Inc.: The Massachusetts Coalition Against Sexual Assault and Domestic Violence (JDI).

The JDI website has excellent resources for learning more about “sexual assault, domestic violence, stalking, harassment, violence against women, and other forms of gender-based violence.” I’ve been reading through some of them, and I can recommend them as honest and factual. Do be aware that the detailed lists and narratives for domestic violence homicide victims can be difficult reading.

This is such an important issue that cuts across class, race, and community. I just wish more of my fellow Unitarian Universalists paid more attention to ending domestic violence.

If you’re worried about domestic violence in your life, JDI lists the following:
Safelink: 1-877-785-2020 is a 24-hour, free and confidential multi-lingual domestic violence hotline in Massachusetts
To find the domestic violence program nearest you outside of Massachusetts, call the National Domestic Violence Hotline: 800-799-SAFE (800-799-7233).

Words of wisdom to media representatives

We’re having an interfaith prayer vigil this afternoon, for Cohasset resident Ana Walshe. (I just tested positive for COVID, so I can’t go.) Since this is a story that’s been in the news, as soon as word got out about the prayer vigil, our church started getting calls from media representatives.

One of the media representatives who called First Parish was just plain rude. An email we got sounded pushy and not at all sympathetic. Another church got a call offering to help publicize the event for us, something we really don’t want. The attitude of media representatives seems to be, “We need news, and you’re going to provide it for us!”

So here are some words of wisdom to media representatives:

  • It would be wise for you to remember to follow the norms of ordinary politeness. If you are rude, we won’t forget.
  • It would be wise for you to remember that you may be talking to someone who has strong feelings about this issue. If you sound callous or uncaring, we won’t forget.
  • It would be wise for you to remember that we don’t need you any more to publicize local events. Social media and word of mouth work better.

All of which can be boiled down to: Treat people nicely.

Update: This afternoon, I received email from a reporter asking for an interview. I replied that I had COVID and was not able to give an interview. The reporter said they hoped I’d feel better. How nice! You can be sure that I remembered that person’s name, and if they contact me again I will be predisposed to talk with them.

Songs and signs — Isaiah 13:15-16 and Genesis 19:6-8

Religion News Service reports:

“If you’re an exvangelical who has been scrolling through TikTok lately, you may have stumbled across a duo singing what sounds suspiciously like evangelical worship music. Until you hear the lyrics. ‘Anyone who is captured will be cut down and run through with a sword,’ they sing in harmony, guitar strums in sync. ‘Their little children will be dashed to death before their eyes.'” [They’re quoting Isaiah 13:15-16 from the Bible.]

I recommend watching the TikTok video. It’s quite well done. And it makes you think.

It reminds me of some Unitarian Universalist teens I knew twenty years ago, long before the days of TikTok. Their eyes had been caught by the fans at sports events who held up signs reading “John 3:16.” This Bible verse is the favorite of traditional Christians: “For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.” It is supposed to entice nonbelievers into becoming Christians.

In response, these Unitarian Universalist teens decided that they were going to make a sign that read “Genesis 19:6-8” and hold it up during a Red Sox game. That’s the Bible passage where a mob besieges Lot’s house, because he’s hiding some angels from God. The mob demands that Lot throw the angels out to them, so they can lynch them. But instead Lots offers to throw his virgin daughters out to the mob to be raped by them. He’d rather sacrifice his daughters than betray the angels.

The Bible is a complex book. It contains some good ethical writing, it has some profound mystical moments, but it also contains passages that are difficult to interpret, and it has icky bits as well. You can’t just pick out the dozen verses you especially enjoy, and ignore the difficult parts and the icky bits.

Elon’s jet

You’ve probably heard about the website Elon’s Jet, which tracks one of Elon Musk’s private jets (he apparently has several; this just happens to be the one he uses most often).

Well, the person running that website just calculated the total carbon emissions of Elon’s jet in the year 2022 — 1,895 tons of CO² emissions. This has been posted on Mastodon, and as you’d expect people are having fun doing some additional math.

One Mastodonian pointed out that Musk’s CO² emissions from jet flight alone in 2022 are about 122 times the total carbon footprint of the average US resident; or about 370 times the total carbon footprint of the average person in the world. Yet another Mastodonian calculated that Musk’s jet produces more carbon emissions in a single day than the average US car produces in a year. And a particularly cynical Mastodonian noted: “I’m sure we can offset most of that CO² if we all collectively drink with cardboard straws.”

I will note in conclusion that Musk banned Elon’s Jet from Twitter, claiming that releasing this information could endanger his children, who sometimes fly on the jet. I would suggest that Musk is doing far more to endanger his children by flying his damn jet, and accelerating climate change.