Way more books were challenged in 2023

The American Library Association (ALA) issued a press release on Thursday about the rise in attempted book bans last year. The ALA tells us: “The number of titles targeted for censorship surged 65 percent in 2023 compared to 2022, reaching the highest levels ever documented by the ALA. The new numbers released today show efforts to censor 4,240 unique book titles in schools and libraries. This tops the previous high from 2022, when 2,571 unique titles were targeted for censorship….”

Not surprisingly, about half the books that were targeted for banning are about LGBTQ+ people and/or non-White people.

The ALA is offering a number of resources to fight back against book bans. They have teamed up with the New York Public Library to create the Teen Banned Book Club and other programs to get banned books into the hands of young people. The ALA has also created a website called “Unite Against Book Bans” offering resources to help you if (when) book bans come to your community.

The ALA also maintains lists of the top ten challenged books for the past quarter century. I love the fact that in 2019, Margaret Atwood’s The Handmaid’s Tale made the list, ostensibly for profanity, vulgarity, and “sexual overtones.” However, I suspect the real reason The Handmaid’s Tale got banned was because the people calling for the ban didn’t want to admit that’s the society they desire.

Four years

Four years ago today, on Friday, March 13, 2020, the state of California shut down schools across the state. I was then the minister of religious education in Palo Alto, Santa Clara County, California. Since our congregation decided to tie our education programs to whatever the public schools did, that meant we too were going to move all our programs online effective immediately. And on that same day, Santa Clara county banned all gatherings of more than 100 people, so our congregation moved Sunday services online as of the following Sunday.

Complete lockdown happened three days later, as most Bay Area counties issued a stay-at-home order on March 16. A state-wide shelter-in-place order was issued on March 19.

Houses of worship were considered “essential services,” so I could get out of the house and go to work a couple of days a week. But it was definitely creepy commuting to work on Highway 101. The week before, all four lanes in both directions would be packed with cars from 6 a.m. to 9 p.m. In the first weeks after the shut-down, at times I’d see no other cars on the road. It reminded me of this passage from Daniel Defoe’s Journal of a Plague Year: “…the great streets within the city [of London], such as Leadenhall Street, Bishopsgate Street, Cornhill, and even the Exchange itself, had grass growing in them in several places; neither cart or coach were seen in the streets from morning to evening, except some country carts to bring roots and beans, or peas, hay, and straw, to the market, and those but very few compared to what was usual.”

Singing after COVID

The annual Western Massachusetts Sacred Harp singing convention is being held this weekend. The organizers are requiring a same-day COVID test for all singers, and with that public health protocol in place I decided I felt safe going to sing today (but not Sunday when I have to be at church).

These Sacred Harp conventions are a bit of an endurance test. The singing starts at 9:30 or 10, and continues to 3:30 or 4 with an hour for lunch. It’s a whole-body immersive experience.

Before COVID, the Western Massachusetts convention reportedly got as many as 400 singers. COVID seems to have reduced the numbers somewhat. Today, I did a rough count and came up with about 175 singers in the room at one time.

Only about a dozen of us were wearing masks. I had my N-95 mask on the whole time. I skipped the potluck lunch because it would have meant sitting at close quarters with more than a hundred other people for most of an hour with my mask off. The post-COVID world is all about calculating the odds, and determining what risk you’re willing to tolerate.

I enjoyed singing in the morning. But after lunch, I realized to my surprise that I was beginning to feel a little bit anxious. It was no problem to control my anxiety. But after about an hour I had a further realization: controlling my anxiety was taking enough of my attention that it wasn’t as much fun to sing.

So I left early.

A panoramic view of the singing, with over 150 people visible in the photo.
What it looked like from the back row of the bass section

How not to handle sexual abuse

This week, the Southern Baptist Convention (SBC) provided a demonstration of how not to handle sexual abuse claims.

The U.S. Department of Justice has been investigating sexual abuse in the SBC. Two days ago, on March 6, SBC officials told Religion News Service that the DOJ investigation is over:

“‘On February 29, 2024, counsel for the SBC Executive Committee was informed that the US Attorney’s Office for the Southern District of New York has concluded its investigation into the EC with no further action to be taken,’ Jonathan Howe, Executive Committee interim president and CEO, told Religion News Service in a text….”

The next day, on March 7, abuse survivor Tiffany Thigpen told Religion News Service that the DOJ investigation had not been closed:

“‘The lead investigator from the DOJ concerning this investigation was as surprised as we were by these reports. She answered both Megan [lively, another abuse survivor] and I immediately when we called (separately) and said the investigation is very much open and active,’ Thigpen told Religion News Service in a text….”

The DOJ is unable to comment publicly about ongoing investigations, so they refused to comment to Religion News Service. The fact that they can’t comment is in itself revealing. And on March 7, Baptist Press reported that SBC legal counsel has confirmed that the investigation is ongoing.

Obviously, this is a bone-headed move on the part of SBC leadership. But the rest of us can learn from this. The main takeaway — learn from Yogi Berra that it isn’t over till it’s over. So don’t do any victory laps until it’s actually, really and truly, finally over.

Noted without comment

A letter from Dr. Samuel Johnson, to his friend Dr. Lawrence whose wife had just died:

“The loss, dear Sir, which you have lately suffered, I felt many years ago, and know therefore how much has been taken from you, and how little help can be had from consolation. He that outlives a wife whom he has long loved, sees himself disjoined from the only mind that has the same hopes, and fears, and interest; from the only companion with whom he has shared much good or evil; and with whom he could set his mind at liberty, to retrace the past or anticipate the future. The continuity of being is lacerated; the settled course of sentimant and action is stopped; and life stands suspended suspended and motionless, till it is driven by external causes into a new channel. But the time of suspense is dreadful.”

from Boswell’s Life of Johnson, 20 Jan. 1780

Cheap pocket plant press

Photo of the materials listed, laid out on a work table.

(1) This pocket plant press is made from a stack of 3 x 5 index cards, salvaged corrugated cardboard, cheap watercolor paper, and rubber bands. Cut two pieces of corrugated cardboard to 3 x 5 inches. Cut two pieces of cheap watercolor paper to the same size. Find a flower, and blot it dry with paper towels.

A flower arranged on the open plant press

(2) Place one piece of corrugated cardboard down. Stack half the file cards on top of it. Place a piece of watercolor paper on top of that. Arrange the flower on this stack. Then make another stack of corrugated cardboard, file cards, and watercolor paper.

The completed stack, the flower is in the middle with its stem sticking out.

(3) Assemble the stack with the corrugated cardboard on the outside. Wrap the assembly with the rubber bands. If the stem of the flower is sticking out, you can trim it off with scissors.

Side view of the assembled stack, showing the layers.

Now let it dry for at least a week. Longer if the weather is humid, or the flower is especially moist. If you want the flower really flat, stack some heavy books on top of the plant press.

The watercolor paper takes the place of blotter paper in a real plant press. In some cases, the pressed flower may leave a colored image on the watercolor paper, so with some experimentation you should be able to use this technique to make pressed flower monoprints.

The stack of file cards makes the plant press stiffer, and helps spread the pressure of the rubber bands out evenly. You can also press several flowers in this plant press by using alternating layers of file cards, watercolor paper, and flowers.

(This is a follow up to this post.)

Plant presses and nature collage art

I’m in the process of developing curriculum for a couple of different eco-spirituality programs I’ll be co-leading this summer. One of the people I’ll be working with, Jessica, a former environmental educator who’s now the DRE at the Northhampton UU congregation, floated the idea of pressing plants.

Now, plant pressing is usually done to prepare specimens for an herbarium. But Jessica found a lesson plan in the Project Wild Aquatic curriculum book which uses a plant press for a process art project. You assemble a collage of aquatic plants (or really, any kind of plant) between sheets of porous paper, and press in a plant press. As the plant is pressed, the paper absorbs some of the colors of the plant. Wait a week till it’s dry, and you have a cool collage.

This activity kind of resembles flower pounding (see lesson plan #24 on this webpage). It also introduces participants to the use of a plant press — a standard botanical tool/process — which is a nice addition.

Still working on refining this activity for use with kids in a summer camp setting. We’ll see where this leads. In the mean time, a couple of resources: Plant presses for the classroom | Herbarium Supply Co.


Update, later the same day:

Here are my instructions for a cheapo plant press, cobbled together from several online sites:

You’ll need fifty 3×5 file cards, two pieces of corrugated carboard cut to 3×5 inches, and two strong rubber bands. Place a flower in the middle of the stack of file cards. Put the rubber bands around everything (see the drawing). Let dry for a week or more. When dry, glue the dried flower to the index card using white glue.

Sketch of the flower press described in the text

Snowdrops are starting to bloom outside our front door, so in a couple of days I’ll be able to give this a try in the real world.

(And here’s the follow up post where I actually make one of these.)

Juanita Nelson oral history

Juanita Nelson (1923-2015) was a war tax resister, a participant in the Civil Rights Struggle, and a back-to-the-lander. I just found a great oral history interview with her on the website for Massachusetts Department of Higher Education website.

One of the reasons I’m interested in Juanita Nelson is that she had no particular religious leanings one way or another; as she put it, she was not “religiously oriented.” And she was this way long before it was cool to be a None (i.e., to have no particular religious affiliation). Yet much of her life was spent seeking out and building intentional community, and spent in pursuing the highest moral and ethical values — and in that sense, she was what I’d call religious. She was also “religion-adjacent,” in part because she spent the last half of her life homesteading on land provided by a Quaker retreat center, and in part because so many war tax resisters are members of the historic peace churches.

Another reason I’m interested in her is that she’s a fascinating person in her own right. Someone should write a full-length biography of her — I’d buy it!

Prince Gotama and the Four Sights

Another story for liberal religious kids — well, maybe. I find this to be a challenging story. Buddha walks out on his wife and baby? I’ve known families where one parent walked out, ostensibly to “find themselves,” not unlike what the the Buddha did. But we should tell such a story to kids? Maybe like fairy tales, which put into words some of the things children fear most, this is in fact the kind of story we should share with kids. Another argument for telling this story to liberal religious kids: Sophia Fahs included her version of this story in her book From Long Ago and Many Lands, aimed at middle elementary grades, and Fahs had plenty of insight into the developmental capacity of children to understand difficult stories. Unfortunately, Fahs only included three of the four sights, so I wouldn’t use her version. That’s why I came up with my own version.

For this story I didn’t go back to one original sources, because this story is told and retold so often in the Buddhist tradition. I did the best I could to synthesize what I knew of the story. Consider this a provisional retelling of this tale. Leave any corrections in the comments.

Once upon a time, a prince named Gotama lived in a royal palace in the land of Kapilavastu, which was on the border between the countries we now call India and Nepal. Gotama’s family was very wealthy. As he grew up, the prince had everything money could buy. He had servants to take care of every need. He had the finest food. He had all the toys he could wish for.

The story is told that while Gotama was still young, a sage came to visit his parents, the King and the Queen. This sage was very wise. He looked at the young boy and said, “This child will grow up to be either a great king, or a great spiritual leader.”

Now his father wanted Gotama to become king after the father died. Therefore, the King decided that the young prince must never see anything that might raise spiritual questions in him. The King instructed everyone in the palace that Prince Gotama must never be allowed to go outside the palace grounds by himself, lest he fall into conversation with a wandering spiritual person. The King also ruled that Prince Toama must not see anyone who was ill, or disabled in any way, nor anyone who was old. The King also ruled that if someone died, the prince should hear nothing of it. Thus the King hoped to keep the prince from asking any spiritual questions.

To keep Gotama happy, the King and Queen gave him everything he could want, so that he would want to stay inside the palace grounds. And when he was old enough, they found the kindest and most beautiful young woman in all the kingdom to marry the Prince. Both the prince and his new wife were vary happy, and they became even more happy when they had their first child together. The King and Queen hoped that the prince had forgotten his wish to leave the palace on his own.

One day, when he was twenty-nine years old, Gotama went out of the palace to go hunting, accompanied by his servant Channa. As they were riding along on their two horses, they came upon a man lying beside a rock, groaning in pain.

“What is wrong with this man?” asked Gotama.

“He is ill,” said Channa.

“But why is he in such pain?” said Gotama.

“It is the way of life,” said Chana. “It is just what happens when people are ill.” And they rode on.

When he was back at the palace, he tried to ask the wise men there about illness, but they would not answer his questions.

Gotama and Channa went out hunting again. As they rode along, they passed a woman whose hair was white and whose skin was wrinkled, and who used a cane to walk.

“What is wrong with this woman?” asked Gotama.

“She is old,” said Channa.

“But what do you mean by ‘old’?” said Gotama.

“It is the way of life,” said Channa. “It happens to anyone who lives a long time.”

Back at the palace, Gotama tried to ask the wise men there about being old, but they would not answer his questions.

Gotama and Channa went out hunting again. As they rode along, they came across man lying as if asleep. But Gotama could not wake him.

“What is wrong with this man?” asked Gotama.

“He is dead,” said Channa. “This is the way of life, people must one day die.”

Gotama and Channa went out hunting a fourth time and saw a wandering holy person. Gotama asked Channa who he was.

“He is a wandering holy person,” said Channa. “He wanders around the world begging for his food, and seeking spiritual enlightenment.”

This was something Prince Gotama had never heard of before. That night, Gotama could not sleep. He remembered both the suffering he had seen, and the holy man seeking enlightenment. Gotama realized that he himself would one day face illness, old age, and death.

“I must leave the palace where I’m always protected,” he thought to himself. “I must find answers to my questions.”

He got up, and told Channa to saddle his horse. The he looked in at the bedroom where his wife and their child lay sleeping. If he left the palace, he worried that his his wife and son would not be safe. He didn’t want to make them go with him.

He stood looking at them, wondering what to do. Should he stay? Or should he go?

As it happens, we know what Prince Gotama did. He left his wife and child behind, went out into the wide world, and after many hardships he became the Buddha, the Enlightened One, one of the greatest spiritual leaders the world has ever known. Knowing that, what would you do? Would you stay and become a great king, or leave and become a great spiritual leader? Would you give up the chance of being enlightened to stay with your family?

Siddhartha Gotama taking leave of his wife and baby.
(CC-BY-SA 3.0 Nomu420; modified by me.)

A heads-up for congregational marketing

Cory Doctorow lays down an obvious marketing rule for 2024:

“If there was ever a moment when the obvious, catastrophic, imminent risk of trusting Big Tech intermediaries to sit between you and your customers or audience, it was now. This is not the moment to be ‘social first.’ This is the moment for POSSE (Post Own Site, Share Everywhere), a strategy that sees social media as a strategy for bringing readers to channels that you control….” (Here’s Cory’s blog post — just be aware the title of the post is Not Safe For Work.)

This applies to congregations, too. If you’re relying on Facebook as your central marketing strategy, that’s probably not a wise thing to do. Sure, it’s fine to use a Facebook account for marketing, but Cory’s point is that you really want to use that Facebook account to drive people to your own website. Which you control. So it cannot be censored, or walled off, or otherwise controlled by Big Tech.