90 seconds to midnight

Since 1947, the Bulletin of the Atomic Scientists has maintained the “Doomsday Clock.” That mythical clock shows how close humanity is to total destruction. Originally, the Clock only looked at the danger from nuclear armageddon, but in recent years has included threats from ecological catastrophe, bio-security, and other controllable threats to humanity.

The Clock was advanced from its previous setting of 100 seconds before midnight (i.e., to destruction), up to 90 seconds before midnight. According to Rachel Bronson, PhD, president and CEO, Bulletin of the Atomic Scientists: “90 seconds to midnight is the closest the Clock has ever been set to midnight.” The Bulletin’s press release attributes most of the increase in threat to humanity to Russia’s invasion of Ukraine and ongoing threats that Russia will use nuclear weapons.

Ten years ago, the Clock was set to 5 minutes (300 seconds) to midnight. When I first got active in the movement calling for reduction in nuclear stockpiles, back in the late 1970s, the Clock was set at 9 minutes to midnight, and we thought that was terrifying.

I still remember attending a Sun Ra concert in Philadelphia sometimes around 1983, when Sun Ra led his band in a snake dance through the audience while chanting, “It’s a motherfucker / Don’t you know / If they press that button / Your ass gonna go.” That chant was one of the things that helped me make sense of something you can’t really make sense out of. Nuclear war. It’s a motherfucker — and Sun Ra never used strong language, except in this piece, but that strong language is the only possible language for this topic — but there it is. Don’t get frantic about nuclear disaster, but don’t ignore it either. Confront it head on, in all its seriousness, with all the possibility of oblivion, while making music about it.

(For the record, the live version I remember hearing differs from the 1982 recorded version. Musically, the version I heard in Philadelphia is probably more like the live version recorded in Germany in 1984; though the words of the German recording differ from what I remember. There’s also the version recorded in Paris in 1983, which is quite different musically. No matter. If you’re looking to make sense out of nuclear armageddon, the effect of any of the recorded versions is the same: helping us make sense of the senseless.)

A screen grab from the 1984 film showing Sun Ra and his band, dressed in elaborate costumes, performing "Nuclear War." A subtitle in French reads, "S'ils appuient sur le bouton," i.e., "If they press the button...."
Screen grab from a 1984 film of Sun Ra performing “Nuclear War” in Paris.

May, 1980

The truck drivers at the lumberyard listened to classic rock, the yard foreman listened to Paul Harvey, and for all we knew the salesmen listened to Frank Sinatra or something. But a couple of us younger guys — me, the hardware stock clerk, the part-time stock clerk who worked in the paint department — we listened to WBCN, the progressive rock station that broadcast from downtown Boston. The morning DJ on WBCN was Charles Laquidara, known for his leftist politics, and one day he announced that there would be a big action to oppose the Seabrook nuclear power plant over Memorial Day weekend. I decided to go.

That day, I ran into John, an old friend from my church youth group, and he said he’d go up with me. I was working six days a week at the lumberyard, but somehow I managed to get that Saturday off. Charles Laquidara had given contact information for getting rides up to Seabrook, and John and I got a ride up. Several hundred of us camped out on an old farm owned by a Seabrook resident who was opposed to power plant. John and I strung a plastic tarp over our sleeping bags, nestled in among all the other tents in the woods on the farm. Continue reading “May, 1980”