Author: Daniel Harper

Still more copyright-free hymns

Five more copyright-free hymns added to this Google Drive folder. Full info about these newly added hymns below the fold. There are now 91 copyright-free hymns in the Google Drive folder.

66 of these are copyright-free versions (tune, text, and arrangement) of hymns from one of the two current Unitarian Universalist hymnals.

For the hymns not in the hymnals, I’ve tried to increase racial and gender diversity: 8 are from the African American tradition; 4 by women authors; 1 by a woman composer; and there’s 1 South African freedom song. I’ve also tried to add a little theological diversity: 1 Buddhist hymn; 1 Jewish hymn; 1 Neo-Pagan chant.

In the future, I’m planning to add tunes by Native composer Thomas Commuck, who was the first Native American to publish composed music. I’m also planning to add another 34 copyright-free versions of hymns from the current UU hymnals, bringing the total to 100 (plus the 25 hymns not from the current hymnals). Eventually, all these hymns will be gathered together on a static webpage. (But I don’t know when I’ll finish all these tasks, since we’re moving in a few weeks.)

Info for the newly-added hymns is below the fold.

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More ambiguous copyright status

Here’s yet another example of a hymn in a current UU hymnal, with an ambiguous copyright status.

The lyrics to “This Old World Is Full of Sorrow” — no. 315 in Singing the Living Tradition — apparently first appeared in print in 1983 in New American Songster, ed. Charles W. Darling (Univ. Press, 1983). Darling provides the following source for the lyrics:

“Howie Mitchell learned the words to ‘This Old World’ from Bernie Lourie while attending Cornell University. Its message is universal. Test: Golden Ring, Folk-Legacy FSJ-16 (used by permission of Folk-Legacy Records, Sharon, CT).”

The album Golden Ring was first released in 1964, and is still available from the Smithsonian Institute (which bought out Folkways Records). You can still purchase the individual track for “This Old World” on the Folkways website. I can’t find any earlier publication.

My guess is that these lyrics are a product of one or more anonymous authors during the Folk Revival of the 1950s and early 1960s. Given the spirit of sharing during the Folk Revival, and given that they resemble other folk lyrics, the authors/redactors of the texts doubtless considered them to be in the public domain. From a legal standpoint, Folkways Records slapped a copyright on the recording, although they really didn’t have the right to do so. During the Folk Revival, this was standard practice: companies slapped copyright notices on public domain tunes and lyrics, often to prevent other companies from claiming copyright on public domain material. However it would be difficult to enforce any copyright claim, and it’s unlikely the Smithsonian Institute, current holder of the putative copyright, would even try.

Regardless, the attribution in Singing the Living Tradition should be changed. Instead of “Words: American folk tune, adapt.” (which doesn’t even make sense), a better attribution would be “Words: probably U.S. Folk Revival, 1945-1964.”

Here are the words as they appear in New American Songster:

This old world is full of sorrow,
Full of sickness, weak and sore.
If you love your neighbor truly,
Love will come to you the more.

We’re all children of one Father,
We’re all brothers and sisters too.
If you cherish one another
Love and pity will come to you.

This old world is full of sorrow,
Full of sickness, weak and sore.
If you love your neighbor truly,
Love will come to you the more.

So what about the other two verses printed in Singing the Living Tradition? It’s a good bet they were written by the compilers of the hymnal. (They certainly don’t sound like folk lyrics, or even composed lyrics from the Folk Revival.) So Unitarian Universalist congregations can safely use the last two verses in Singing the Living Tradition. But if you use them for any other purpose, assume they’re copyright-protected.

As for the music provide from hymn no. 315, it’s adapted from The Southern Harmony. There are enough changes in the arrangement that it may be protected by copyright. Again, it’s probably fine for Unitarian Universalist congregations to use, but for any other purpose assume that there’s a copyright.

Six more copyright free hymns

Clearing a backlog of copyright-free hymns from my music files.

I’ve just uploaded PDFs of 6 more copyright-free hymns to this Google Drive folder: “The Growing Light,” “A Hundred Years Hence,” “Peace, the Perfect Word,” “Prayer for This House,” “There Are Numerous Strings in Your Lute,” and “Turn Back.” Most of these hymns have appeared in UU hymnals.

Why copyright-free hymns? Because you don’t need a license, which smaller congregations may not be able to afford. Because you can do anything you want with them, including recording them, altering them, projecting lyrics and/or music, etc., etc. In this multiplatform age, we need more copyright-free hymns.

Of this batch of copyright-free hymns, you may be most interested in “There Are Numerous Strings in Your Lute.” Lovely words by Rabindranath Tagore, the Nobel prize winning author who was associated with the Brahmo Samaj, a South Asian spiritual movement which both was influenced by Anglo-American Unitarianism, and which had a powerful influence on Anglo-American Unitarianism. The music supplied for this text in Singing the Living Tradition is pleasant, but I don’t know anyone who’s ever actually sung it in congregational worship — it comes across as more of a choir anthem. I found two 19th century shape-note tunes that fit Tagore’s text reasonably well. I hope these two easy-to-sing tunes make it more likely that this lovely text is actually sung in worship.

Of the other hymns included here, “A Hundred Years Hence” is a feminist hymn; and both “Peace, the Perfect Word” and “Turn Back” are peace songs. Full information about tunes and texts is below the fold.

Now online: 87 total hymns, including 61 from the two current UU hymnals.

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Not only climate change

The BBC reports that toxic chemicals in the environment are just as big a threat as climate change:

“Chemical pollution has officially crossed “a planetary boundary”, threatening the Earth’s systems just as climate change and habitat loss are known to do. A recent study by scientists from Sweden, the UK, Canada, Denmark and Switzerland highlights the urgent need to turn off the tap at source. Many toxic chemicals, known as persistent organic pollutants, or POPs, don’t easily degrade. They can linger in the environment and inside us – mostly in our blood and fatty tissues – for many years.”

A couple of years ago, I heard a talk by Dr. Stuart Weiss, a field biologist in the San Francisco Bay Area. He identified five major threats to the life-supporting systems of planet Earth:

1. Global climate change
2. Land use change (including deforestation and habitat destruction)
3. Invasive organisms
4. Toxication (including solids, like plastics, as well as chemicals)
5. Overpopulation

I would add one more — nuclear war — for a total of six major threats to earth’s life-supporting systems.

Upper middle class Americans have focused on climate change as the major environmental threat. But even if we solve the climate change problem, any combination of the other five threats would also lead to a “great extinction.” This is why having everyone buy an electric car is not going to fix looming environmental disaster. My guess is that major systemic change is needed, probably involving replacing capitalism with an economic system that is not a-moral (or immoral).

Five more copyright free hymns

I’ve just uploaded PDFs of 5 more copyright-free hymns to this Google Drive folder: “Come By Here” (a.k.a. “Kumbayah”), “Many Thousand Gone,” “Nobody Know the Trouble I’ve Seen,” “Siyahamba,” and “Transience.” All these hymns have appeared in UU hymnals.

Why copyright-free hymns? Because you don’t need a license, which smaller congregations may not be able to afford. Because you can do anything you want with them, including recording them, altering them, projecting lyrics and/or music, etc., etc. In this multiplatform age, we need more copyright-free hymns.

Of the hymns I just uploaded, you might be most interested in “Come By Here.” This is often assumed to be a copyrighted song composed by Marvin Frey. My research shows that this is, in fact, a public domain song. In addition, most of us are sick of the usual, sing-around-the-campfire “Kumbayah,” which can sound a bit dreary. I found alternate public domain tune and lyrics that are more lively, more fun to sing.

“Transience” is also worthy of your attention. It’s one of the songs that got dropped in the transition from the 1964 Songs for the Celebration of Life hymnal to the 1993 Singing the Living Tradition hymnal. The text is by South Asian poet Sarojini Naidu. Not only is it a pretty good poem, but we need more hymns by Asian and Asian American authors and composers.

Information for the five songs is below the fold.

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Phone privacy and abortions

Now that Roe v. Wade is likely to fall, we all have to think carefully about electronic privacy and abortion. Big Tech is already tracking everything you do. The data they steal from you can easily be used to find out whether you (for biological females) or your partner (for biological males) is pregnant.

The Digital Defense Fund (DDF) has created a “Guide to Abortion Privacy” showing how to maintain your reproductive privacy. The DDF guide is focused on phone privacy, but similar principles apply to computer privacy; make sure your laptop is as secure as your phone.

DDF also provides a poster and an infographic about abortion privacy. DDF appears to give permission to repost these graphics freely, so I’ll include the infographic below. (Image alt text can be found here.)

Digital Defense Fund infographic “How your phone documents your abortion experience”

Actually, anyone wanting to maintain online privacy should study these guides. We live in a world where increasingly individual behavior is subject to outside control. Big Tech wants to control your behavior as a consumer. The Religious Right want to control your religion, gender, sexual orientation, and pregnancy. Big Business wants to control your ability to organize for better working conditions. And so on…. If you want to retain some small amount of control over your life, you need to do whatever you can to maintain your online privacy.

Bank Swallows

The highlight of a trip to Ano Nuevo State Park is supposed to be the sight of hundreds of Elephant Seals. But when Carol and I visited the park today, what I enjoyed most was seeing Bank Swallows building nests in a bluff high above the beach. I watched through binoculars as the swallows whizzed around the bluff, and in and out of their nesting holes. Every once in a while, a small shower of sand would come out of one of the next holes, presumably because one of the birds was doing some excavation work inside the hole.

A Bank Swallow leaving a nesting hole, while a second one approaches the hole

The obligatory Ano Nuevo State Park Elephant Seal photo

On my way home from a ministers’ retreat this afternoon, I stopped at Ano Nuevo State Park. The reason most people visit the park is to view the Elephant Seals that live there. And what’s not to like about these charismatic megafauna?

Molting female Elephant Seal

Today’s visit was too short. I’ve already convinced Carol to accompany back to the park tomorrow. (Although, to be completely honest, my primary motivation is seeing the nesting Bank Swallows I didn’t have time for today. Don’t tell Carol.)

Out of the mouths of Scots

Sometimes another blogger says what you want to say, but better, and more concisely. Earlier today, Scottish blogger and science fiction author Charles Stross wrote about how the Supreme Court of the United States intends to overturn Roe v. Wade, saying in part:

“It is unwise to underestimate the degree to which extreme white supremacism in the USA is enmeshed with a panic about ‘white’ people being ‘out-bred’ by other races. This also meshes in with extreme authoritarian patriarchal values, the weird folk religion that names itself “Christianity” and takes pride in its guns and hatred of others, homophobia, transphobia, an unhealthy obsession with eugenics (and a low-key desire to eliminate the disabled which plays into COVID19 denialism, anti-vaxx, and anti-mask sentiment), misogyny, incel culture, QAnon, classic anti-semitic Blood Libel, and Christian Dominionism (which latter holds that the USA is a Christian nation—and by Christian they mean that aforementioned weird folk religion derived from protestantism I mentioned earlier—and their religious beliefs must be enshrined in law).”

That just about covers it, doesn’t it.

Next, let us discuss how Margaret Atwood’s A Handmaid’s Tale is about to jump genres, from science fiction into historical fiction….

Post-pandemic singing

Dr. Anthony Fauci has declared that we are now “out of the full-blown explosive pandemic phase” of COVID. This doesn’t mean that COVID is gone. It just means that “we’ve now decelerated and transitioned into more of a controlled phase,” according to Fauci.

This tallies with my own observations. COVID is still a threat, but not as dire a threat as it was a few months ago. So over the weekend, I decided to go to a group singing event that would require proof of vaccination for entry.

There were perhaps forty people at this Sacred Harp singing. I found it a little bit scary to be with so many people. (Though I was far more scared walking through airports when we flew to visit Carol’s father back in March — there were many more people in the airports, and anyone who was eating or drinking had their masks off.)

While I did find it to be a little bit scary, I also found it to be exhilarating. I’ve been too isolated during the pandemic. And I’ve done almost no in-person singing — no singing in choirs, no folk music jam sessions, no singing with a quartet, very little Sacred Harp singing. I’m not a particularly good singer, but before the pandemic, singing was my primary social outlet. Saturday’s singing event was definitely good for my mental health.

In this phase of the pandemic — this “more controlled phase,” to use Fauci’s words — we’re going to be balancing the threats from COVID against the threat that isolation poses to our mental health. It’s going to be a difficult balance to strike.

I’ll put a photo of the singing below the fold. But if you get triggered by seeing a bunch of people singing indoors at this point in the pandemic, don’t click through.

Continue reading “Post-pandemic singing”