Adventures in creating online content

My younger sister the children’s librarian has inspired me. Her library is closed, or course, so she’s creating online content by uploading an average of a new video every day to the Harvard (Mass.) Public Library Children’s Room Youtube channel. So far, she’s got a simple craft project, story time that parents can do with young children, and she’s reading aloud the entire Alice’s Adventures in Wonderland.

I like several things about Abby’s videos. First, they’re a great supplement to Zoom calls — some of us are getting Zoom burnout, and it’s nice to be able to watch a video when YOU want to watch it. Second, they’re Goldilocks videos — not too long, not too short, but just the right length. Third, they don’t put a big burden on parents — the crafts project can be done by kids on their own without parental supervision, kids can watch the installments of Alice on their own, and the story time for young children has them doing what they’re going to be doing anyway which is sitting in a parental lap.

So I repurposed this Youtube channel, where I already had some religious education videos. I added a video we used in last Sunday’s service. I created a couple of playlists, one for crafts (Abby’s craft video is included there), and another for story time (Abby’s Alice stories are going there, because Alice in Wonderland is a sacred text). I’ve got a children’s librarian from our congregation half convinced to do a story time, I’m planning a story time (I think I’ll read aloud from an old edition of the Jataka Tales), there will be more crafts projects.

Blog readers, if you know of some videos that you think would be appropriate to share on this Youtube channel, please send me the links. I can’t promise to put everything up, but I’d really like to see your suggestions — send them to danharper then the little “at” sign then uucpa then a dot then org.

Adventures in online learning

Nadine offered to do a virtual Sunday school session today for our gr. 2-3 group (which we call “Green class”). Her plan was simple: light a chalice, have time for check-in, read a story, everyone say our unison benediction together. I haven’t yet hear from her how it went.

Nadine’s idea inspired Carol and Ed, two of the teachers of the middle school “Ecojustice Class,” who put together an online session for that group. Carol and Ed planned a half hour session including lighting the chalice, a check-in where kids could talk about what’s going on in their lives, and a virtual tour of the Ecojustice Class garden, rain barrels, and composter.

Three middle schoolers logged in, and two siblings tagged along, for a total of five kids. Here’s a screen shot of Carol lighting the chalice:

Though Carol and Ed expected the session to last only half an hour, the kids were having fun, and ultimately the session went on for about an hour. (Carol has the free version of Zoom with a 40-minute limit on videoconference calls, but at 40 minutes she got a message saying Zoom would extend the videoconference for free; thank you Zoom!) They talked about how coronavirus shows that the non-human world still has a lot of power over humans, and they also talked about how people who are poor or otherwise vulnerable get hit hardest by natural disasters like this pandemic. One of the kids drew boba bunnies (don’t ask me what they are, I’m just telling you what Carol told me), and that led to a discussion of how boba tea tastes good but uses a lot of single-use plastic, and where tapioca comes from, and so on.

From what Carol said, it sounds to me as though there was the typical Sunday school ratio of social interaction to learning — more than half social interaction, plus some learning — and since our primary educational goal is to have fun and build community, this class definitely helped us reach that goal.

Unitarian and Universalist views on baptism, late 18th C.

Here are two documents that give a picture of late eighteenth century Unitarian and Universalist views of baptism.

1783: Unitarian baptism ceremony
late 18th C.: Description of Universalist dedication ceremony

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Continue reading “Unitarian and Universalist views on baptism, late 18th C.”

Universalist views on baptism and dedication, 19th C.

As a follow up to this post, here are Universalist documents from the nineteenth century describing naming ceremonies (baptism and dedication).

1839: Universalist baptism and child dedication
1850: Universalist dedication/baptism
1872: Description of a Universalist naming ceremony
1895: Universalist naming ceremony

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Continue reading “Universalist views on baptism and dedication, 19th C.”

Unitarian views on christening and baptism, 19th C.

As a follow up to this post, here are Unitarian documents from the nineteenth century describing naming ceremonies (baptism and christening).

1827: Description of Unitarian naming ceremonies
1844: Unitarian naming ceremony
1884: Unitarian naming ceremony
1891: Description of a Unitarian naming ceremony

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UU views on christening and dedication, 20th C.

Amy Morgenstern, the senior minister, and I have been talking about child dedications recently. As we talked, I realized that one of the results of the social process known as “secularization” (which in the U.S. is more of an adjustment away from communal religious organizations to individualized religious practices) is that fewer and fewer people know that there are established communal practices to welcome babies. Even if they do know about such practices as Unitarian Universalist child dedications, they may find it difficult to understand why they would want to have a communal ceremony, within a religious community, rather than something more individualistic.

This realization has led me to rethink the entire concept of child dedications. After I was born in 1960, I was christened (not dedicated) in a Unitarian church — but what was a Unitarian christening, and was there then a distinctive way of thinking about this naming ceremony? What about Universalist understandings of naming ceremonies? How have Unitarian and Universalist naming ceremonies combined and evolved into Unitarian Universalist naming ceremonies?

I don’t yet have answers to these questions, but I’ve been collecting relevant historical documents. Without further ado, here are documents from the 20th century that relate to Universalist, Unitarian, and Unitarian Universalist naming ceremonies.

1903: Unitarian naming ceremony
1922: Universalist naming ceremony
1966: Description of Unitarian naming ceremonies
1999: Description of Unitarian Universalist naming ceremonies

(Updated 28 Feb 2020: corrections and revisions, added another document)

Continue reading “UU views on christening and dedication, 20th C.”

Patol House

While developing a curriculum for middle elementary grades, I found an interesting game, “Patol House,” originally played by Native Americans in New Mexico. I found this game in the book Handbook of American Indian Games by Allan and Paulette Macfarlan (Toronto: General Pub., 1958; reprint, Mineola, N.Y.: Dover Pub., 1985). The Macfarlans are recreating games for use by middle class white kids in summer camps in the 1950s, and no doubt they have modified the rules to this game somewhat. I have further modified the rules, turning this into a board game suitable for use indoors in a multi-racial Sunday school classroom; and I further modified the rules to fill in a gap or two that we found in the Macfarlans’ rules during test play.

Sample game play with adults showed this can be a fun game. It’s supposed to be a game of skill and strategy, not of luck — the skill comes in being able to throw the counting sticks to yield the number you want; the strategy comes in planning your moves to “kill” opponents’ horses. In our sample play, we gained enough skill to throw the desired number maybe one out of ten times, so it was mostly a game of luck for us. But even as a game of luck, it was enjoyable to play.

With no further ado, here’s how to make and play the game:

Making the game: According the the Macfarlans, the Indians used a game board of 40 stones arranged in a circles, with 4 gaps between the stones; the gaps are “rivers.” The design shown in the photo below reproduces this game board on paper; the blue stripes are the “rivers.” I printed the design in halves, on two 11 by 17 inch pieces of cardstock; then gluing the cardstock to foamcore to make a 17 by 17 inch game board. The counting sticks are popsicle sticks that are shortened; the sticks are marked (based on Tiwa Indian designs) as follows: all three sticks have two hatch marks on one side; two are left blank on the reverse side, while one is marked with three hatch marks on the reverse. A flattish stone goes in the center; this is to bounce the counting sticks off. I made two cards showing how to score the throws of the counting sticks. For playing pieces, I found some small stones, as you can see in the photo below; however, these were not very satisfactory, and I have since substituted colored game pawns.

(Notes on making the game: 1. The point of this game is not to try to recreate an utterly authentic Native design, but to make a game that is easily playable. 2. The file for the game board is something like 5400 x 5400 pixels at 300 dpi and too big to post here, so you’ll have to draw your own game board. 3. I’m prototyping the game using the Board Games Maker Web site; when they ship it to me I’ll post a photo on this blog.)

This game works best with 8 or more players. If you have fewer players, give each player two horses; players take a separate turn for each horse.

Setting up the game:

Put the stone in the center of the game board. The playing pieces, called “horses,” remain off the game board until a player plays them.

Throw the counting sticks to see who goes first:

Hold the three counting sticks in your hand about a foot above the game board. Bring your hand down, and release the sticks about 6 inches above the stone (but no closer). The sticks hit the stone, bounce, and fall with one face or another showing. 

The diagram below shows how many points you get, depending on which sides of the counting sticks are showing. The player with the highest number of points goes first.

Game play:

The first player throws the counting sticks, and, starting from a blue circle nearest to where they are sitting, moves their horse that number of spaces. Players may move either clockwise or counterclockwise as they wish, but once they begin moving in one direction they must keep moving in that direction in subsequent turns. However, if they throw a 10, this would place their horse in a river. Horses may not land in rivers. Whenever a throw lands their horse in a river, the player must throw the counting sticks again until they throw a number that will not land their horse in a river.

The other players may begin from the same river that the first player started from, or from a different river. Again, they may move either clockwise or counterclockwise, but once they begin moving in one direction they must keep moving in that direction.

Player’s horses may pass over other players horses. But if one player’s horse ends up on the space occupied by another player’s horse, the other player’s horse is considered dead and must start over. A player may have to start over several times during the course of a game.

If you start over, you must start in the same river you started in before (that is, in the same blue circle). However, if you start over, you can again choose to go either clockwise or counterclockwise—though again, once you choose a direction you have to keep going in that direction, until you have to start over again.

Winning the game: 

The first player whose horse makes it all the way around the circle, back to their starting point or past it, wins the game. 

Strategy: For good players, this is a game of skill. A good player can hold the sticks in their hand and bounce them in such a way as to get the number they want. But be sure to release your hold well above where the sticks hit the stone, so you’re not accused of cheating.

Paper bag puppets for a Jataka tale

I’m in the middle of writing curriculum for middle elementary grades, and here’s a children’s craft project I just developed for this curriculum. These are puppets for acting out the story-within-the-story of the Buddhist Jataka tale “The Little Tree Spirit” (which you can read on my old blog here).

You will need:
patterns that you print and cut out ahead of time
glue sticks or paste
scissors
pencils
black magic markers
paper bags (lunch bag size, 5 x 10 in. folded)
paper or card stock in the following colors:
—pink (for noses and mouths)
—white (for eyes)
—dull green (for Little Tree Spirit)
—bright green (for Great Tree Spirit)
—orange (for Tiger)
—yellow (for Lion’s head)
—brown (for Lion’s mane)

Let’s start by seeing how the Tiger is made.

(1) Cut out the head, attach it to the paper bag:

Trace the head shape from the patterns or draw it freehand on orange paper, then cut it out. Glue the head to what is the usually bottom of the paper bag.

(2) Add details to the head:

Cut out the nose from pink paper, and two eyes from white paper. Glue on the eyes and nose, and draw pupils in the eyes. Using the black magic marker, draw stripes and whiskers on the tiger as shown above.

(3) Add the mouth:

Cut out the mouth, and fold it at about one third of the way across the diameter (about one inch from the edge). Glue the mouth in the flap formed by the bottom of the paper bag where it’s folded over, as shown in the drawing. You want a little bit of the pink mouth to show below the head of the puppet.

(4) Try your puppet:

Put your hand inside the puppet, and make sure the mouth looks right when you open and close the puppet’s mouth.

(5) Make the other puppets:

The rest of the puppets are made in much the same way. (1) For the Lion: use the same head pattern but cut the head out of yellow paper; then cut a mane out of brown paper and glue the head on the mane. (2) For the Little Tree Spirit: use the tree pattern and cut the tree out of green paper. (3) For the Great Tree Spirit: use the mane pattern, cutting the shape out of green paper for the “head.”

Now you have all the puppets you need to act out the story. They’re kind of crude, but they’re effective.