This second video in the two part series explores Christian diversity in the U.S. through Christian music, touching on everything from Christian K-pop to Primitive Baptist hymns to Mainline Protestant choral music to an AME Zion hymn choir — and more. The people who write, perform, and listen to this Christian music come from widely divergent religious perspectives, and very different cultures and ethnicities, and the musical diversity covered in this video should challenge anyone who thinks Christianity is a monolith.
(A disclaimer that will be obvious to my Unitarian Universalist readers: I’m looking at Christianity from the outside; Unitarian Universalism can no longer be considered a Christian religion, it is now quite firmly post-Christian — and whatever that means, it definitely isn’t Christian, though it is related historically.)
Below is the text I was looking at while making the video (but I deviated from the script more than once). The videos from the associated Youtube playlist are embedded below.
Questions that are implicit in the video: How do you define the boundaries of a religious tradition? What makes a piece of music Christian — Christian text, Christian performers, Christian context, Christian intent behind the music, Christian musical genre, or more than one of the above, or all of the above? What are the boundaries between culture and religion? — or are culture and religion somehow intertwined? How can we listen across religious and cultural boundaries? — what do we have in common, and how do we get past what we don’t have in common?
A short (5 min.) talk for an adult class in which I talk about some stereotypes of Christians, and then suggest listening to the wild diversity of Christian music as a way to get past the stereotypes to begin to understand something of the wild diversity of the Christian religion….
Below is the uncorrected text that I was reading from (I diverged from the text a bit, but this is most of it):
Now Deborah Pope-Lance has gotten permission to host this paper on her Web site, here — you’ll have to scroll down past some other papers and essays on clergy sexual misconduct to find the link.
Highly recommended reading for anyone who wants to know more about the history of U.S. Unitarian Universalism in the past 25 years, or for anyone interested in the recent history of feminism in religion. If you think Unitarian Universalism has made lots of progress in becoming a feminist movement, you’ll be depressed by this paper. On the other hand, if you’re one of those who (like me) has been incredibly frustrated at how little attention has been paid to the intertwined issues of sexism, patriarchy, and clergy misconduct with Unitarian Universalism, you’ll be relieved to read this exposé of the abuse of power by male clergy and how influential and powerful people within Unitarian Universalism have covered it up.
I’d even say I was delighted to read this paper, not because I’m delighted by clergy misconduct, but because I’m delighted that this subject is finally getting the attention it deserves from historians and others. Thank you, Loré Stevens. Thank you, UUHHS. Thank you, Deborah Pope-Lance for hosting this paper online.