Category: Arts & culture

Fantasy worlds

Back when we were children, one of my sisters had a book called The Lonely Doll. The author, Dare Wright, illustrated the story with photographs. She used a doll she had had since she was a child, and two teddy bears given to her by her brother, Blaine. The book was reissued a few years ago, and I remember picking it up in a book store and leafing through it. Looking at the photographs as an adult, they seemed a lot more psychologically intense than I had remembered, especially the one of the big teddy bear, named Mr. Bear in the story, spanking Edith the doll. The photographs made the toys seem eerily lifelike.

I found Dare Wright’s autobiography in a used bookstore today. It turns out that Dare Wright had an unusually strong fantasy life as an adult. Her friend Dorothy was present when her brother Blaine went to the FAO Schwartz store in Manhattan to buy Dare a teddy bear:

“Blaine got drunk and weird, as he always did when he drank,” she recalled. “In we went. But when he saw all the bears together, he said it would be terrible to separate them because they would be lonely. With that he directed the saleswoman to pack up the entire lot, all their Steiff bears, hundreds of dollars of bears. Dare’s apartment in those days was just around the corner. We walked over there, carrying all those damn teddy bears.”

Dorothy found the spectacle of a grown-up brother and sister sitting on the floor surrounded by teddy bears, telling stories in imaginary bear voices, disturbing. Soon, Dare added Edith [her childhood doll] to the party — and urged Dorothy to join in. Making no effort to hide her disdain, Dorothy refused.* (The Secret Life of the Lonely Doll: The Search for Dare Wright, by Jean Nathan [New York: Henry Holt, 2004], pp. 158-159.)

I can understand why Dorothy felt disdainful towards Dare and Blaine — that’s what we adults are supposed to do, we’re supposed to give up those fantasy worlds — but there is not much separating Dare and Blaine playing with teddy bears, and Anthony Trollope weeping uncontrollably as he wrote about the death of one of his characters. Nor is there much separating their fantasy world from the worlds that mystics encounter. I suspect we all have different levels of attunement to transrational worlds: some people are what we might call tone-deaf to fantasy, mysticism, and even fiction; others of us are not.

* For the record, Dare wound up keeping just one of the bears, who became the mischievous Little Bear in her children’s books.

Minor UU folk heroes, no. 85

I just heard a rumor that one of the people who developed and built the Rube Goldberg device seen in the March, 2010, music video “This Too Shall Pass” by OK Gos, was formerly a member of a Unitarian Universalist youth group for which I was a youth advisor. Parents, be warned: the Unitarian Universalist values we impart to your children may affirm that creating geeky-artsy-coolness is an acceptable thing to do with one’s life.

By the way, an article in the February, 2011, issue of Fast Company magazine asserts that it took 85 takes to make the Rube Goldberg machine work in time to the music in a single shot. That’s 85 televisions destroyed. That makes it all worth while, if you ask me.

Happy Martin Luther King, Jr., Day.

All the prophets seem to get sanitized. Take, for example, the ancient Hebrew prophet Amos, whom I have recently been re-reading. It was Amos, of course, whom Martin Luther King, Jr., quoted in the famous “I Have a Dream” speech:— “let judgment run down as waters, and righteousness as a mighty stream.” Amos looked around at his society and saw that those in power trod upon the poor, and took from them “burdens of wheat”; he heard wailing in the streets; and he made violent-sounding protests against the injustice he witnessed.

Amos gets sanitized just like Martin Luther King, Jr. Orthodox Christians manage to turn Amos’s prophecies into some kind of call for personal salvation; atheists mock him for his belief in God but don’t go any further than that; and religious liberals simply ignore him. All these groups seem to ignore the fact that Amos was writing powerful protest literature that was designed to make us feel horribly uncomfortable about the way we treat other people, especially those who have less power than we do.

It’s not too far-fetched to think of Martin Luther King, Jr., as a sort of lesser Amos: someone who set out to afflict the comfortable, a troublemaker who wanted true justice for all persons, a somewhat cantankerous and definitely edgy kind of a guy. And like Amos, King gets bowdlerized: used to promote self-esteem or to keep kids from fighting; mocked for his very real character flaws; or simply ignored. In celebration of Martin Luther King, Jr., Day, it’s worth quoting some more of that famous quotation from Amos, to learn how it is that Amos thinks his God will make justice roll down like waters:

Woe unto you that desire the day of the Lord!
   to what end is it for you? the day of the Lord
   is darkness, and not light.
As if a man did flee from a lion, and a bear met
   him; or went into the house, and leaned his
   hand on the wall, and a serpent bit him.
Shall not the day of the Lord be darkness, and
   not light? even very dark, and no brightness
   in it?
I hate, I despise your feast days, and I will not
   smell in your solemn assemblies.
Though ye offer me burnt offerings and your
   meat offerings, I will not accept them: neither
   will I regard the peace offerings of your fat
   beasts.
Take thou away from me the noise of thy songs;
   for I will not hear the melody of thy viols.
But let judgment run down as waters, and
   righteousness as a mighty stream.
   — Amos 5.18-24, KJV

Happy birthday to Martin Luther King, Jr.:— a preacher, a prophet, someone who took Amos’s God very seriously.

Tibetan Monks, closing ceremony

The Tibetan Buddhist monks spent their final morning at the Palo Alto church. In addition to completing the sand mandala, they chanted for ten minutes in each worship service. As beautiful as the sand mandala was, I enjoyed the chanting the most: something about the low notes they managed to produce with their throat-singing, or more properly overtone singing, really got to me.

And of course they destroyed the sand mandala in a closing ceremony. They chanted for a good twenty minutes, and then one of them walked around the table and then drew his hand radially out from the center across the design in each quadrant and then again between each of those places. Then another monk came and swept the sand into the center; he used an ordinary four inch paint brush, which I thought was a nice touch; the best religious ceremonies mix the sublime with the ordinary.

The closing ceremony, just before the monks destroyed the mandala.

After the ceremony was over, I was talking with someone who said that twenty minutes of their chanting was plenty for her; but I said I disagreed, and could easily have listened for another hour.

Tibetan monks, day 3

Another picture of the monks working; the monk closest to the camera is incising a design into a background using a stylus (the point of a compass, actually); the monk at rear is adding a line of sand to the incised design:

At the end of the day today, the mandala was nearly complete:

It is hard to see in this photo, but the mandala is not a two-dimensional work; the sand is built up in low relief that is difficult to capture in a photograph.

Tibetan monks in Palo Alto

We have five Tibetan Buddhist monks visiting the Unitarian Universalist Church in Palo Alto, from the Drepung Loseling Phukhang Monastery. They’re working on creating a sand mandala, which will be completed by Sunday:

Here’s a close-up:

Last night, they had an opening ceremony, which involved about ten minutes of chanting. They wore elaborate yellow headdresses, and accompanied their chanting with a bell and a pair of cymbals. Part of their chanting involves overtone singing, which produced exceptionally low notes. (I happened to be sitting next to Marsha, a professional singer who knows a great deal about chanting, and asked her about the technique, but she said she couldn’t speak with any certainty about their specific technique.) All of the chanting tended to stay in the lower ranges of their voices, and was quite powerful and loud. You can find recordings of this type of chanting on the Web, but they simply don’t capture what it’s like to be sitting a couple of yards away when the monks are chanting.

Now they’re working on creating the sand mandala. As their work on the mandala progresses over the next few days, I’ll post more photos. (Link to a photo on the church Web site.) I’m also including a press release below, which gives more details. Continue reading “Tibetan monks in Palo Alto”

A musical setting of KJV prose

This is the four hundredth anniversary of the King James Version translation of the Bible (KJV). As one way of honoring this monument of English prose literature, I’ve been composing some a capella four-part musical settings for short excerpts of the KJV. These settings are in the idiom of American singing-school music, an unbroken tradition of composition and performance going back to about 1720, and carried on today by Sacred Harp singers.

So here’s a song for Advent. The text is Mark 1.2-3; although Isaiah 40 might seem to make more sense as a text for Advent, the prose in the KJV translation of Mark 1.2-3 was just too perfect to pass up, and preachers are wont to use bits of Mark 1 as texts during Advent (for churches that use the lectionary, Mark 1.1-8 is the gospel reading for the second Sunday in advent in lectionary year B). As is traditional in this musical idiom, the song is named after a geographical place.

PDF of “San Juan Buatista”

If you know anything about composition, this breaks many standard rules, but it is consistent with the Sacred Harp idiom.

Happy prime new year

This is going to be a prime year, and by that I don’t mean it’s going to be first-rate (though I don’t rule that out) — rather, 2011 is a prime number.

Since 2011 is a prime number, that means we can look forward to having several dates that consist solely of prime numbers. The first one will be 2/2/2011, and the last 11/29/2011. I leave it as an exercise to the student to determine how many of these dates will occur all year (translation: I’m too lazy to figure it out myself, and I hope someone will post a comment with the answer). *

The last prime number year was 2003, and the next one will be 2017. While searching for lists of primes on the Web, I discovered that 2011 and 2017 are so-called “sexy primes”; that is, they differ by six (“sexy” from the Latin “sex” for six); if they differed by four, they would be cousin primes, and if by two, twin primes. Thus 2011 is a sexy prime number year.

I suspect I am fascinated by prime number years because I was born in the middle of the largest gap in prime number years in the twentieth century (1951 to 1973). I had to wait more than a decade to live in a prime number year; I had a deprived childhood.

———

* Here’s the list of primes 31 and under: 2, 3, 5, 7, 11, 13, 17, 19, 23, 29, 31. Don’t say I didn’t help you out. Oh, all right, the answer is 52.