Tumbandero videos and gallery

As a follow up to a previous post on tumbaderos — a tumbandero is the washtub bass that’s played in the Caribbean and Central America — tumbandero player Axel D. Rodríguez sent links to some fabulous videos. If you’re interested in tumbanderos or washtub bass, you’ll be fascinated by these videos, both to hear the varied playing styles, and to see helpful visual cues for making your own instrument.

Thank you Axel! (Find Axel and his band on Spotify — and on Youtube.)


Tingo Talango — Cuba 1 — A must-watch video showing a musician building a Cuban version of the earth bow, called a “tingo tualango” or a “tumbandero.” The earth bow was the African instrument from which the washtub bass and the tumbandero are derived. Skip ahead to 2:50 to watch the building of the instrument, and then watch it being played both by plucking the single string, and playing rhythm on the soundboard. The musician frets the string rather than adjusting the tension on the bow.

Tingo Talango — Cuba 2 — A short video with someone playing the tingo talango.

Tumbandera or Kaolin — Cuba 3 — Another traditional Cuban earth bow. These musicians adjust the string tension by moving the bow, and get different notes. In the short demonstration of playing, it seems the instrument sometimes requires two musicians — one to play, and the other to adjust tension to keep the instrument on pitch.

Screen grab from the 3rd Cuba video. You can clearly see the bow which provides tension for the string.

Quijongo Caribeño — Costa Rica — The visuals show some adults showing kids of about middle school age how to build an earth bow-derived instrument out of a wood box, a string, and a neck. (The audio isn’t coordinated with the visuals.)

Screen grab from the Costa Rica video. The kids are learning how to play the instruments they just made.

Marengwen — Haiti — An earth bow-type instrument, but the string tension is fixed, and pitch is altered by fretting. In addition, rather than plucking the string, the musicians strike the string with a stick. A must-watch video.

Screen grab from the Haiti video. The stick used to hit the string is blurred in this image.

Tumbandero or Bajo De Palangana — Puerto Rico 1 — A band with a tumbandero made from a plastic five gallon bucket.

Tumbandero or Bajo De Palangana — Puerto Rico 2 — Tumbandero made from a plastic five gallon bucket. One musician playing along to a recording, with a good view of his playing technique.

Tumbandero or Bajo De Palangana — Puerto Rico 3 — The tumbandero player picks up his instrument at 0:15. This instrument appears to be metal and plastic.

Tumbandero or Bajo De Palangana — Pureto Rico 4 — Tumbandero made with a plastic five gallon bucket. Once again, the tumbandero functions more like tuned percussion than a bass. You can hear the tumbandero from 0:00 to 2:45; and from 6:15 to the end. 

Screen grab from the 4th Puerto Rico video. The tumbandero (at far left) is made out of a 5 gallon plastic bucket.

Tumbandero or Bajo De Palangana — Puerto Rico 5 — A Smithsonian Folkways recording. Great audio, no visuals.

Tumbandero or Bajo De Palangana — Puerto Rico 6 — A tumbandero made out of a metal washtub. The tumbandero player explains his instrument as follows: 

Screen grab from the 6th Puerto Rico video. This tumbandero, made from a metal washtub, looks like a classic American washtub bass.

Axel also sent some photos he found online — since I don’t know the source of them, and whether they’re copyrighted, I decided not to include them in this post. But if you do an image search for “tumbandero” you should turn up some interesting images.

A final note: I really want to make the Costa Rican instrument. I like the sound of the wood, I like the looks of it, and it would be fun to make. But we don’t have room for such a large musical instrument in our tiny apartment.

Tumbandero

A comment by Axel D. Rodríguez, a musician and cultural researcher from Puerto Rico (his band on SpotifyYoutube), recently appeared on one of my old posts about the washtub bass. He gives some interesting information about the washtub bass that I wanted to highlight:

Rodríguez also writes that he has played the tumbandero himself on stage for several years. I found very little about the tumbandero on the web, but I did find one video on Youtube where it’s featured. There’s also a video on Facebook showing people making a tumbandero out of a five gallon bucket.

Since the washtub bass derives from the earthbow, an African instrument, it should be no surprise to find related instruments throughout the African diaspora. Nevertheless, I was fascinated to learn about the tumbandero.

Two people making a tumbandero from a five gallon bucket.
Screen grab from the Facebook video. They’re attaching the neck to the bucket.

See this follow up post with tons of tumbandero videos.

On the brighter side…

This summer, a couple of people whom I knew and liked and respected have died; one of them was quite a bit younger than I. The news of their deaths really brought me down. On top of that, there’s the national and international news, which has also been bringing me down. Plus today I started feeling under the weather — I hate being sick in the summertime.

I needed something to pick me up. So I looked for music by Rio Saito, a young ukulele virtuoso who has been playing some hot jazz. And I found a Youtube video of the Rio and Dani Brazilian Jazz Trio, recorded last November, playing “Aquelas Coisas Todas” by Brazilian jazz great Toninho Horta. I recognize Rio Saito as the ukulele player and band leader, but since I don’t read Japanese I can’t tell you the names of the pianist, bassist, and drummer. All I can tell you is that they are all fabulous musicians who put across eleven minutes of bright, uptempo, very accomplished jazz that made me smile.

One of the reasons I love jazz is because of the international connections. This performance is a perfect example — a Japanese ukulelist playing a Brazilian composition that comes from the American tradition of jazz. In a world filled with hot wars and trade wars and cultural wars, it’s good to remember that we can build connections across our differences.

Rio Saito playing ukulele, with a pianist, bassist, and drummer behind him on a small stage.
Screenshot from the video. Click on the image above to view the video on Youtube.

And if you want more, here’s Abe Lagrimas Jr. and Rio playing Antonio Carlos Jobim together.

Quaker Checkers revisited

Back in 2012, I posted a game board and rules for playing “Quaker Checkers.” Photocopies of that game had been passed around for years between Unitarian Universalist Sunday schools. I decided to create a clean copy, and put it online where maybe more people could access it. And if you read the comments on that 2012 post, you’ll see that Quaker Checkers has been played with great success in Unitarian Universalists Sunday schools (and maybe in one or two Quaker First Day Schools as well).

This week, I received email from Sally Q Campbell, who invented the game. Sally said she’s currently talking with a friend of hers about developing an online version of Quaker Checkers. Actually, I would have loved to have an online version during the pandemic when Sunday school had to meet online.

It appears that Sally is one of those endlessly creative people. She is also a songwriter, with a number of songs about peace and spirituality to her credit. On her her Youtube channel, she writes: “I’m a Quaker Singer/songwriter. Many of my songs are given to me in the silence if I will S l o w D o w n.” In fact, I especially like her song “Go Down Low,” which is all about slowing down and centering down. She hadn’t come up with chords for it, so I did. Here’s the standard warning for online chord/lyrics sheets: this is my interpretation of someone else’s song, posted here for educational purposes only; the songwriter Sally Campbell retains the copyright.

Graphic with lyrics and chords

(N.B.: she sings “Go Down Low” in B flat.)

All the above is by way of digression. My real point in writing this blog post is to correct something Sally pointed out in her email. She said: “You did make one error when you tidied it up. My board does not have dark and light squares, it’s just a grid. Makes it more of a challenge.”

She’s absolutely right. To make amends, here’s a corrected version of the game board:

Graphic of the game board for Quaker Checkers.
Click on the image above for a printable PDF of the game.

Another washtub bass update

I’ve expanded my 2019 post on washtub basses to include two electrified instruments.

You can go read the expanded post, or just click on the image below to check out a video of Barbara LePine’s electric washtub bass in action.

A woman playing washtub bass, and a man playing guitar
Screen shot of “Bucket Babs” playing her washtub bass in her band “Porter McClister’s Box and Bucket.”

More photos below….

Continue reading “Another washtub bass update”

Cohasset ukulele festival

Our twice-monthly ukulele group will be hosting a half-day ukulele festival on Sunday, October 5, 2025. More info here.

This entirely free event is being sponsored by my employer, First Parish in Cohasset, in cooperation with the Cohasset Historical Society. We’re able to make this a completely free event, thanks to a grant from the Gleason Music Fund at First Parish, in-kind support from both First Parish and the Historical Society, as well as a generous anonymous donation. We’re also on a Massachusetts Cultural Council grant application submitted by the Historical Society — if that grant comes through, we’ll be able to increase accessibility with an ASL interpreter for the final concert.

If you’re in the Boston area, hope to see you there. Even if you don’t play ukulele, come join us for the free concert at 4:30.

A graphical flyer telling about the uke festival.
Click on the image above for a PDF of the flyer.

World Ukulele Day

February 2 is “World Play Your Ukulele Day.” This holiday was established in 2011 by Mike Lynch (a.k.a. “Ukulele Mike”; see below). In the original announcement, Mike Lynch kept his expectations low. “Take your uke out of its case,” he said, “and play it.”

Simple enough.

Screen shot from a video showing a man holding a ukulele and talking
Screen grab from Mike Lynch’s original Youtube video announcing World Ukulele Day. Click the image to see his video on Youtube.

OK. I did that.

What else can I do?

Mike had a suggestion: “Find someone who needs a smile. You might take it to an elder care, you might take it to a shut-in….” In other words, try to make the world a better place by playing your ukulele. But I went on a field trip with teens from our congregation’s youth group, which didn’t leave time for ukulele excursions.

Since I don’t have time to do anything else, I’ll share a ukulele song sheet for “It Was a Lover and His Lass,” Thomas Morley’s 1600 setting of poetry by William Shakespeare. Before you get all critical, yes I know it’s a pretty primitive song sheet. And no, I didn’t attempt to transcribe Morley’s lute accompaniment for ukulele (way above my pay grade), I just put in chord indications based on a simplified form of Morley’s harmony. Yet even in this simplified form, it’s kind of challenging. We tried it at our Cohasset ukulele circle, and people noted the nine different chords you have to know, the fast chord changes, and the tricky rhythm in mm. 22-23. Whatever, it’s a great song — and this is the best I’ve got for World Ukulele Day 2025.

(N.B.: Public domain music, public domain words, and I’m releasing my mediocre typesetting into the public domain. Go ahead and copy it all you want.)

More about Ukulele Mike

Michael B. Lynch (1945-2018) was a career music educator and an accomplished ukulele player. As a youth, he played in a ukulele ensemble led by the legendary ukulele educator Chalmers Doane. Beginning in 2009, he produced a popular series of instructional Youtube videos under the name “Ukulele Mike.” He also published a number of instructional CDs and books, still available through his website that his wife continues to maintain.

If you’re near Cohasset and enjoy ukulele…

…I’m helping organize a free ukulele workshop. The online registration form is now live. Here are the details:

FREE Ukulele Workshop with Anne Ku

Sun., Feb. 9, 2025, 2-4 p.m.

What: Free ukulele workshop led by Anne Ku. Anne says: “I’ll teach you the 20% you need to know, to play 80% of what you want to play.”

WhoAnne Ku is a well-known Boston-area ukulele teacher and workshop leader.

Where: Location: 23 N. Main St., Cohasset, Mass. Parking map (PDF).

Downloadable flyer (PDF)

More info about the Cohasset ‘ukulele circle, who are hosting this event.

The workshop

2 p.m.: Fun with Ukulele — for all levels, but especially useful for beginners.
3 p.m.: Common Chord Progressions — what you need to know to play your favorite songs.

Doors open at 1:40 p.m. Be ready to start at 2 p.m. with a tuned ukulele. Need help tuning? Show up early and we’ll help!

Bring your ukulele, music stand (if you have one), and water bottle. Tea and snacks will be provided.

Registration

Please register at the link below. This workshop is customized to workshop participants, catering to all levels. The more you describe yourself, the better the fit.

CLICK HERE TO REGISTER

Another niche hobby

An entry under the category of Niche Hobbies: handbell change ringing.

If you’ve read Dorothy Sayers’s murder mystery Nine Tailors (or watched the TV version), you know what change ringing is. It’s very English: you have a tower with eight or so bells, and a bunch of people stand around and ring the bells in certain defined patterns. If you don’t have a tower full of bells? Then you can use handbells, and you get handbell change ringing.

One musician describes handbell change ringing like this: “A series of 4-12 bells are rung in a series of mathematical permutations. Remember work with 12-tone tone rows in 20th-century music theory class? This is similar in practice, but with diatonic notes.” Also, to my ears it sounds much better than most twelve-tone music.

Click on the image below to see a video of handbell change ringing in action.

Four people sitting in a circle, each ringing two handbells.
Screen grab from the video. Note the looks of intense concentration on the faces of the ringers.

This is the kind of niche hobby that’s going to appeal to a certain kind of person: someone who likes mathematical patterns, someone who likes cooperative efforts in small groups, someone who likes the meditative effect of intense concentration, and so on. OK, I admit it: that someone could probably be me. Since the last thing I need right now is yet another niche hobby, I’m fortunate that there’s no handbell change ringing group near me.

General info on handbell change ringing:
handbell change ringing bloglinks to change ringing websites

Math and change ringing:
a bit about math and change ringing — Prof. Sarah Hart of Gresham College gets into group theory and change ringing

Instructional materials:
quick overview for conventional handbell ensemblesthe cross-and-stretch techniquethe ringing on bodies technique (ringers move, not bells) — instructional bookhandbell change ringing for beginners (booklet) — change ringing for handbells (more advanced) — instructional websitehandbell change ringing online simulator (for solo practice) — methods for three bell ringing (with a tenor behind, that would be 4 bells = 2 handbell ringers) — cross and stretch demonstrated (the video with stuffed animals is particularly clear, believe it or not)

Performance videos:
3 people (easy to follow the changes) — blindfold handbell change ringing4 person cross and stretch (watch closely) — 6 person cross and stretch

The year in music

I have to spend a lot of time thinking about music for my job. Honestly, though, much of what passes for sacred music in Unitarian Universalist circles these days is pretty dreary stuff. To avoid dreariness and boredom, this will not be a post about UU sacred music. Instead, here’s some of the more obscure music I’ve encountered this past year.

I’ll start with the ‘ukulele. This under-appreciated instrument still gets no respect, but there are some stunning players out there. Like jazz great Benny Chong, now in his eighties and still going strong. Here he is with bassist Byron Yasui on “Just the Way You Are.” Chong is also a fabulous solo player. Here he is playing “My Romance.”

Two men playing musical instruments
Benny Chong and Byron Yasui performing in Hawai’i (screen grab from video)

I’ve also been listening to Carmen Souza, who mixes traditional Cape Verdean music with contemporary styles. Here she is with “Amizadi” from her latest album. Souza writes: “For this song, I composed a Funaná [a traditional Cape Verdean genre] based on the story of Francisco Cruz, a.k.a B.Leza. This genre promotes fun and social interaction, so I called it Amizadi (Friendship).” Next, here she is solo, singing “Confiança & Bonança”, a video released on International Women’s Day 2024.

A woman singing
Carmen Souza, performing live in France (screen grab from video)

One of my musical obsessions this year has been handbells, because I started playing in our congregation’s handbell choir. Sadly, much of the handbell music you find online tends towards dreary Christian sacred music. Yawn. But if you look, you can find more interesting stuff. Like the Double Mallet Ringers, based in Hong Kong. Most of their ringers are professional music educators, they commission compositions, and they even have a resident composer. In addition to more serious music, they also do goofy covers like this.

Double Mallet Ringers, Hong Kong (screen grab from video)

Finally, So Percussion and Caroline Shaw released another new album together this year. What they do could be described as singer-songwriter meets avant-garde. Do their lyrics actually mean anything? Whatever, it’s incredibly refreshing music. Here’s the title track from their new album Rectangles and Circumstance.

There’s a lot of great musical creativity out there, from a variety of different cultures, in a variety of styles. Maybe the new year will bring some new creativity and variety to UU sacred music….

Addendum: I just have to throw in this piece I found today, by Kenyan sound artist Nyokabi Kariuki, “Raw Sugar” performed by the Brooklyn Youth Chorus.