(Written on July 3, finally getting around to posting on July 12.)
I’m running an ecology workshop at a small conference at Ferry Beach Park Association in Saco, Maine. One of the activities I did to get participants to see the world in new ways was making cyanotype prints of plants. I was inspired in part by Anna Atkins, who created the first-ever book of photographs with cyanotypes of seaweed.
Thea and Mandy were leading an art workshop at the same time, and they got interested in cyanotypes. So after our morning workshops were over, we did some experimenting. In the evenings, after it got dark, we coated several different kinds of paper with cyanotype emulsion. During the day, we experimented with different compositions using natural object to make photograms. We even took a field trip to the Portland Museum of Art, where there’s a special exhibit of Jo Sandman’s large photograms on platinum-palladium paper.
We didn’t wind up with much in the way of finished art works. But we learned a great deal. As Thea kept reminding us, often the process is more important than the product.