A jolly holly Xmas
Category: Places
Quan Am
Avalokiteshvara is a Buddhist deity with multiple identities, some of which I outlined in an earlier post. In Vietnam, this deity appears as Quan Am.
This sculpture, carved in Vietnam in the nineteenth century, portrays Quan Am attired in a white robe. So it is that here Avalokiteshvara manifests both as Vietnamese, and as the White Robed Bodhisatva of Compassion — showing how one deity’s manifestations can be shaped both by theological concerns, and by regional or national identity.
Amaterasu and Susano-o
This lovely sword guard, made in 1874 by Tozan (no other name given), shows the Japanese deities Amaterasu and Susano-o.
Amaterasu was the Sun-goddess, and Susano-o was the ruler of the Underworld; they were siblings by virtue of both being the offspring of Izanagi and Izanami. Here’s a story about the two of them, adapted from W. G. Aston, Shinto: The Way of the Gods (London: Longmans, Green, and Co., 1905), chapter VI — in the West, this is probably the best known story of these two deities.
Before Susano-o took up his duties as the ruler of the underworld, he asked his elder sister, Amaterasu, if he could come to heaven to take leave from her. She agreed. At first, all went well. But then Susano-o became rude and unseemly.
Susano-o broke down the divisions between the rice-fields belonging to his sister, sowed them over again, and let the piebald colt who lived in Heaven run through the fields, trampling them. Then Susano-o misbehaved in the great hall where Amaterasu was celebrating the solemn festival of the first fruits to be harvested. Finally, Susano-o killed a piebald colt of Heaven, skinned it, and threw the dead body into the sacred weaving-hall where the Sun-Goddess was at her loom weaving the garments of the deities.
Amaterasu was so offended by this last insult that she entered the Rock-cave of Heaven and left the world to darkness.
When Amaterasu hid herself in the Rock-cave of Heaven, the other deities grew worried, for there was no light any more. Everything was in complete darkness. All the other deities met on the dry bed of the River of Heaven to figure out a way to bring Amaterasu out of hiding.
First, Omoikane, the god of wisdom, brought roosters to the cave to crow, hoping to bring Amaterasu out that way.
Then Ame-no-Koyane, whom Amaterasu had put in charge of the divine mirror, and who was in charge of divine affairs in the palace, dug up a five-hundred branched Sakaki tree of Heaven. He hung strings of jewels on its higher branches, a mirror on its middle branches, and on its lower branches pieces of cloth. Then all the deities recited prayers in honor of Amaterasu.
Finally, Ame-no-Uzume, the goddess of Dawn and the Dread Female of Heaven, dressed herself in strange and fantastic clothing. She kindled a fire and pounded on a tub, danced wildly, and spoke inspired words. The Plain of High Heaven shook, and the eight hundred deities all laughed together.
The Sun-Goddess wondered how Ame-no-Uzume and the other gods could be so jolly while the world was wrapped in complete darkness. She peeped out from the half-opened door of the cave. She was at once seized by Ame-no-Tajikarao, or Heaven-Hand-Power. He kept her from slipping back into the cave, to the great joy of all the deities.
After the Sun Goddess was out of the cave and once more lighting up the world, a council of the deities put Susano-o on trial. He was found guilty, and caused to pay an enormous fine. They also pulled out the nails of his fingers and toes, and banished him to the land of the underworld. Finally Ame no Koyane, the ancestor of the Nakatomi, recited his Oho-harahi or “Great purification” liturgy.
It’s not clear to me whether the sword guard depicts a moment in this story, or is merely a depiction of these two deities.
Noted without comment: What an artist thinks about AI art
Artist Matt Inman has a long cartoon/blog post on his website The Oatmeal, in which he sets forth his feelings about AI-generated art. He is thoughtful, while at the same time he pulls no punches (including the use of some salty language). Here’s an excerpt:
“AI art is an interesting technology because despite its growing popularity, nobody seems to want it. Artists hate using it. Consumers hate consuming it. And yet it thrives, like an Arby’s built inside a protected forest.
“I know it’s bleak. But artists, remember this: Nobody worth giving a damn about wants this technology. No one with a modicum of taste, patience, or culture gives a shit about AI art.
“AI art might eventually have the right number of fingers, but it’ll never have a heart. (I know this is cheesy but fuck you I like it.)”
This was posted to MetaFilter, where one commenter noted:
“Maybe it [AI art[ will get better. I’ve said it before: I don’t know what we (humanity writ large) are capable of achieving with AI, but I know the people and corporations funding AI are in it for profit, not the betterment of culture or humanity.”
Salps
I went for a walk at Black Rock Beach late this afternoon. A large quantity of seaweed had been left behind by the ebbing tide, mostly Sugar Kelp (Saccharina latissima), but also some wrack (Fucus spp.), some Sea Lettuce (Ulva lattuca), and a few other odds and ends.
There were also hundreds of small (2-3 cm long), almost transparent jelly-like objects washed up above the line of seaweed. At first glance I thought they were Sea Gooseberries (Pleurobrachia pileus), a species of comb jellies. But when I put my photos on iNaturalist, user ja-fields corrected me — they were salps.
What is a salp, you ask? It’s an organism in Family Salpidae. The Salpidae are in Subphylum Tunicata, which is a part of Phylum Chordata — animals with spinal cords. Human beings are also in Phylum Chordata, so this odd little animal is more closely related to us than are crabs, sea urchins, or starfish.
This made me curious — how does one identify Salpidae, if not to species level, then at least to genus? James L. Yount, “The Taxonomy of the Salpidae (Tunicata) of the Central Pacific Ocean,” Pacific Science, July, 1954, has a “Key to world species and reproductive forms of Salpidae,” pp. 280 ff. Identification requires looking at the internal structures, and Yount provides a “Schematic median section of a solitary salp (after Ihle, 1935).” I digitally enhanced his sketch, and identified the body parts in easy-to-read type:
At some point, perhaps I’ll type up Yount’s key. In the mean time, you can find it yourself here.
View from the bell tower of a 1747 meetinghouse
I climbed up to the bell level of the tower of the Cohasset Meetinghouse, because someone wanted to know if our bell was cast by Paul Revere (it was not). While I was up there, I took a panoramic photo. Not much of a view, to be honest — the tower isn’t all that tall, and it doesn’t have the dramatic view the you get from First Parish in Lexington (from which you can see the skyscrapers of Boston), or from First Unitarian in New Bedford (from which you can see New Bedford Harbor). But it’s still a charming view.
Click on the image above for a higher resolution version.
Fall flowers
It’s a crazy world out there, and sometimes you just need to forget about the human world and get in touch with the beauty and subliminty of the non-human world. And on a walk today, I saw more than a dozen species of wildflowers in bloom….
The color of late summer plants
We’re past Lughnasa now, and the days are noticeably shorter. At this time of year, I always look for a few plants with spectacular colors.
The Cardinal Flower grows in wet ground — in swamps, or along streams, rivers and ponds. I don’t often find a cardinal flower blooming where I can get close enough to see the details of the flowers, but this one was growing in a wet place along one of the paths around Aaron River Reservoir. The vivid red color, and the dramatic structure of the flower, makes it especially memorable.
Butterfly Milkweed grows in open fields and meadows. The bright orange is pretty enough by itself, but when an orange and black Monarch Butterfly lands on it, it’s truly spectacular.
At this time of year along one of the inlets of Cohasset Harbor, I always see marsh plants covered in strange-looking orange filaments. Common Dodder is a parasitic plant that has no chlorophyll; it gets all its nutrients by sucking the sap out of a host plant. Parasites always creep me out a little — though I suppose letting your food source live is better than killing it, the way we humans kill carrots and potatoes, or cows and chickens. Nevertheless, the showy orange stems of Common Dodder twined in among green leaves is quite a beautiful sight.
Baltimore, Maryland, to Route 128 Station, Massachusetts
Photos continue after the jump….
Continue reading “Baltimore, Maryland, to Route 128 Station, Massachusetts”Revolutionary War stories, part 3
Continuing a series of Memorial Day posts — part one — part two
I started out this series by saying that sometimes the stories of Revolutionary War heroes and heroines have been partially forgotten, or details have been obscured. In this follow-up post, I’ll tell a little about how I researched the stories of Persis and Allen Lincoln, and the story of Briton Nichols. Maybe this will inspire other people to do some research into ordinary Revolutionary War veterans — a worthwhile thing to do as we celebrate the 250th anniversary of the start of the American Revolution.
One place to start researching an individual is by looking through the local history of a given town or city. During the middle part of the 19th century, many municipalities from the 13 original colonies had local histories written. And in most cases, whoever wrote that local history would be sure to record any local traditions about those who served in the Revolution. So, for example, for the town of Cohasset where I live, Victor Bigelow wrote a history of the town in 1898, and he provided lists of those who served and told many stories of the town’s participation in the Revolution.
That being said, local histories may contain local traditions that have gotten muddled over time, and most local histories contain lots of small errors of fact. So the next step is to see if you can find corroborating evidence from other sources. Which can be a huge job. Cohasset is a small town, but there were more than 125 men from the town who did military service during the Revolution. Volunteer local historians like me don’t have time to research all 125+ individuals who served in the Revolution. You have to narrow your focus to research a few individuals in depth.
But how do you narrow your focus? Here are some strategies:
(1) Research a college graduate, who would be far more likely to appear in the written record than non-college graduates. For example, you can find brief biographies of Harvard graduates in the series Sibley’s Harvard Graduates.
(2) Research famous or semi-famous persons, or persons who are part of prominent families. For example, if you were researching persons from Braintree or Quincy, you could start with anyone related to John Adams; there are lots of published genealogies and published histories of the Adamses.
(3) To research ordinary people, start with unusual person names (such as Briton Nichols) and unusual place names (such as Cohasset). Those will be easiest to find information on.
(4) As you’re researching one person, you might run into a lead from someone else altogether (e.g., when researching Briton Nichols, I discovered Ambrose Bates kept a war diary). Keep note of those other leads so you can follow up later.
Next, here are some research strategies:
(A) Use the power of internet search. More and more 18th century documents are being digitized, making information easily available online. This works best with Search using several different search tools — I start with DuckDuckGo, first with the person’s name and place name along, then adding the following to the search string: site:.archive.org (which searches through the many books digitized by the Internet Archive) and site:.loc.gov (which searches the Library of Congress website). Next, I’ll search Google Books. Finally, I’ll try regular Google search (Google seems to turn up a lot of crap these days, which is why I leave it till last).
(B) Search genealogy sites. I use FamilySearch.org, which is free, although it does require you to set up a free account. Paid genealogy sites may give you more information, but FamilySearch.org is a good place to look for Revolutionary War military service records. Additionally, amateur genealogists may have done additional research on some individuals — but be cautious about trusting the work of amateur genealogists. Always click through to look at the sources they cite, and then click through and look at the actual digitized images for those sources (which is how I found out that Persis Lincoln and Allen Lincoln were married by Rev. John Browne of Cohasset).
(C) Don’t forget your local library. Many local libraries have local history sections. If there’s a librarian who has responsibility for the local history section, get to know that person, and ask for help when you need it.
EXCEEDINGLY IMPORTANT: For each little tidbit of information you find, make sure you record where you found it, including full bibliographic information. Footnote everything! You want other people to be able to review your research. You want citations for every single fact. If you don’t have citations for everything, others will assume you’re a sloppy researcher, and discount your work accordingly.
That’s a very brief overview of how you might begin to research individual people to find out their stories. Good luck — and don’t forget to share your research, so others can appreciate it, and correct any errors you might make, and generally help further our knowledge of Revolutionary War veterans.