{"id":11451,"date":"2024-05-11T08:22:52","date_gmt":"2024-05-11T12:22:52","guid":{"rendered":"https:\/\/www.danielharper.org\/yauu\/?p=11451"},"modified":"2024-05-12T08:39:56","modified_gmt":"2024-05-12T12:39:56","slug":"eurovision","status":"publish","type":"post","link":"https:\/\/www.danielharper.org\/yauu\/2024\/05\/eurovision\/","title":{"rendered":"Eurovision"},"content":{"rendered":"\n<p>The Eurovision song contest is usually ignored here in the U.S. That might change a teeny bit with this year&#8217;s contest, which was won for the first time by a non-binary singer, with a song about how they came to terms with their non-binary identity. (This song will surely be condemned by the U.S. right-wing, and perhaps embraced by some of the U.S. LGBTQ+ community and their allies. But most Americans will probably ignore Eurovision, as usual.) Good for Nemo for winning.<\/p>\n\n\n\n<p>But this is the only Eurovision contest where I actually had a song that I wanted to win. The nu-folk duo Puuluup, from Estonia, teamed up with the Estonian hiphop group 5miinust on the song &#8220;(Nendest) narkootikumidest ei tea me (k\u00fcll) midagi.&#8221; They came in 20th, out of 25 finalists. Of course they didn&#8217;t win; if I like them, they&#8217;re not going to win.But wouldn&#8217;t it have been cool if someone playing a folk instrument &#8212; in this case, the talharpa &#8212; won Eurovision?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Eurovision song contest is usually ignored here in the U.S. That might change a teeny bit with this year&#8217;s contest, which was won for the first time by a non-binary singer, with a song about how they came to terms with their non-binary identity. (This song will surely be condemned by the U.S. right-wing, &hellip; <a href=\"https:\/\/www.danielharper.org\/yauu\/2024\/05\/eurovision\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Eurovision&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-11451","post","type-post","status-publish","format-standard","hentry","category-musical-arts"],"_links":{"self":[{"href":"https:\/\/www.danielharper.org\/yauu\/wp-json\/wp\/v2\/posts\/11451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.danielharper.org\/yauu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.danielharper.org\/yauu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.danielharper.org\/yauu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.danielharper.org\/yauu\/wp-json\/wp\/v2\/comments?post=11451"}],"version-history":[{"count":1,"href":"https:\/\/www.danielharper.org\/yauu\/wp-json\/wp\/v2\/posts\/11451\/revisions"}],"predecessor-version":[{"id":11452,"href":"https:\/\/www.danielharper.org\/yauu\/wp-json\/wp\/v2\/posts\/11451\/revisions\/11452"}],"wp:attachment":[{"href":"https:\/\/www.danielharper.org\/yauu\/wp-json\/wp\/v2\/media?parent=11451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.danielharper.org\/yauu\/wp-json\/wp\/v2\/categories?post=11451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.danielharper.org\/yauu\/wp-json\/wp\/v2\/tags?post=11451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}