{"id":7653,"date":"2010-09-29T21:33:04","date_gmt":"2010-09-30T04:33:04","guid":{"rendered":"http:\/\/www.danielharper.org\/blog\/?p=7653"},"modified":"2012-08-23T15:13:57","modified_gmt":"2012-08-23T22:13:57","slug":"metrical-paraphrases-of-religious-texts","status":"publish","type":"post","link":"https:\/\/www.danielharper.org\/blog\/?p=7653","title":{"rendered":"Metrical paraphrases of religious texts"},"content":{"rendered":"<p>I&#8217;ve been comparing two metrical paraphrases of Psalm 19.1-4, one by the poet and writer Joseph Addison, and one by the poet and hymnodist Isaac Watts. It&#8217;s instructive to see how two different hymnodists handle the exact same subject.<\/p>\n<p>First, they use two different meters: Addison&#8217;s version is in Long Meter Doubled (L.M.D.) which is somewhat easier to find a tune for, while Watts&#8217; version is in 8.8.8.8.8.8. Second, both take liberties with the original text, adding imagery, emphasizing and de-emphasizing what appeals to them. Third, they reflect different theological stances: Watts begins with the straightforward phrase &#8220;Great God,&#8221; while Addison prefers to use more oblique references like the &#8220;great Original&#8221;, &#8220;Hand&#8221; and &#8220;Creator&#8221;, and Addison also refers to &#8220;Reason&#8221; which since it is capitalized is personified. Fourth, Watts&#8217; hymn directly addresses God, while Addison&#8217;s hymn speaks about God and God&#8217;s works. Fifth, while both are enjoyable hymns to sing (considered in terms of the rhymes, rhythms which aren&#8217;t too herky-kerky, &#8220;mouth-feel&#8221;, etc.) Watts&#8217; verse is sturdy, bold, and tends towards the ecstatic; Addison&#8217;s verse is more nuanced, lower-key, and feels more subtle. Finally, and perhaps most importantly, both hymns are worthy of being called poetry &#8212; I don&#8217;t cringe when I sing them, and they&#8217;re worth singing more than once.<\/p>\n<p>This kind of comparison is helpful for those of us who want to think about how to evaluate new hymns written by religious liberals hymnodists &#8212; and\/or for those who may want to take a stab at writing new liberal religious hymns. Not that we should imitate Addison or Watts (although that may be a good idea), but we should start thinking about articulating criteria about what makes a good or poor hymn text.<\/p>\n<p>I&#8217;ll include the full text of both hymns, plus the text from the King James Bible from which the hymns were drawn, after the jump. <em>Update: I&#8217;ve added the Scottish Psalter&#8217;s metrical paraphrase of this same text at the very end of this post.<\/em> <!--more--><\/p>\n<p>Joseph Addison&#8217;s paraphrase may be found in both the 1993 Unitarian Universalist hymnal <em>Singing the Living Tradition<\/em> and in (#283, with alterations noted in brackets) <em>Oxford Book of English Verse<\/em> ed. by Arthur Quiller-Crouch:<\/p>\n<p>Hymn<\/p>\n<p>The spacious firmament on high,<br \/>\nWith all the blue ethereal sky,<br \/>\nAnd spangled heavens, a shining frame,<br \/>\nTheir great Original proclaim.<br \/>\nTh&#8217; unwearied Sun from day to day<br \/>\nDoes his* Creator&#8217;s power display; [&#8220;its&#8221; in SLT]<br \/>\nAnd publishes to every land<br \/>\nThe work of an Almighty hand.<\/p>\n<p>Soon as the evening shades prevail,<br \/>\nThe Moon takes up the wondrous tale;<br \/>\nAnd nightly to the listening Earth<br \/>\nRepeats the story of her* birth: [&#8220;its&#8221; in SLT]<br \/>\nWhilst all the stars that round her* burn, [&#8220;it&#8221; in SLT]<br \/>\nAnd all the planets in their turn,<br \/>\nConfirm the tidings as they roll,<br \/>\nAnd spread the truth from pole to pole.<\/p>\n<p>What though in solemn silence all<br \/>\nMove round the dark terrestrial ball;<br \/>\nWhat though nor real voice nor sound<br \/>\nAmidst their radiant orbs be found?<br \/>\nIn Reason&#8217;s* ear they all rejoice, [not capitalized in SLT]<br \/>\nAnd utter forth a glorious voice;<br \/>\nFor ever singing as they shine,<br \/>\n&#8220;The Hand that made us is divine.&#8221;<\/p>\n<p>Here, by contrast, is Isaac Watts&#8217; metrical paraphrase of the same passage from Psalm 19:<\/p>\n<p>Psalm 19:4.<br \/>\nThe book of nature and scripture.<\/p>\n<p>1 Great God, the heaven&#8217;s well-order&#8217;d frame<br \/>\nDeclares the glories of thy name;<br \/>\nThere thy rich works of wonder shine:<br \/>\nA thousand starry beauties there,<br \/>\nA thousand radiant marks appear<br \/>\nOf boundless power and skill divine.<\/p>\n<p>2 From night to day, from day to night,<br \/>\nThe dawning and the dying light<br \/>\nLectures of heavenly wisdom read;<br \/>\nWith silent eloquence they raise<br \/>\nOur thoughts to our Creator&#8217;s praise,<br \/>\nAnd neither sound nor language need.<\/p>\n<p>3 Yet their divine instructions run<br \/>\nFar as the journies of the sun,<br \/>\nAnd every nation knows their voice;<br \/>\nThe sun, like some young bridegroom drest,<br \/>\nBreaks from the chambers of the east,<br \/>\nRolls round, and makes the earth rejoice.<\/p>\n<p>4 Where&#8217;er he spreads his beams abroad,<br \/>\nHe smiles and speaks his maker God;<br \/>\nAll nature joins to shew thy praise:<br \/>\nThus God, in every creature shines;<br \/>\nFair is the book of nature&#8217;s lines,<br \/>\nBut fairer is thy book of grace.<\/p>\n<p>And here is how the opening of Psalm 19 reads in the King James Version of the Bible:<\/p>\n<p>To the leader. A Psalm of David.<br \/>\nThe heavens are telling the glory of God;<br \/>\n&nbsp;&nbsp;&nbsp;and the firmament proclaims his handiwork.<br \/>\nDay to day pours forth speech,<br \/>\n&nbsp;&nbsp;&nbsp;and night to night declares knowledge.<br \/>\nThere is no speech, nor are there words;<br \/>\n&nbsp;&nbsp;&nbsp;their voice is not heard;<br \/>\nyet their voice goes out through all the earth,<br \/>\n&nbsp;&nbsp;&nbsp;and their words to the end of the world. <\/p>\n<p>In the heavens he has set a tent for the sun,<br \/>\nwhich comes out like a bridegroom from his wedding canopy,<br \/>\n&nbsp;&nbsp;&nbsp;and like a strong man runs its course with joy.<br \/>\nIts rising is from the end of the heavens,<br \/>\n&nbsp;&nbsp;&nbsp;and its circuit to the end of them;<br \/>\n&nbsp;&nbsp;&nbsp;and nothing is hidden from its heat. <\/p>\n<p><em>Update: Here&#8217;s the metrical paraphrase from the Scottish Psalter for the sake of comparison.<\/em><\/p>\n<p>1 The heav&#8217;ns God&#8217;s glory do declare,<br \/>\nthe skies his hand-works preach :<br \/>\n2 Day utters speech to day, and night<br \/>\nto night doth knowledge teach.<br \/>\n3 There is no speech nor tongue to which<br \/>\ntheir voice doth not extend:<br \/>\n4 Their line is gone through all the earth,<br \/>\ntheir words to the world&#8217;s end.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve been comparing two metrical paraphrases of Psalm 19.1-4, one by the poet and writer Joseph Addison, and one by the poet and hymnodist Isaac Watts. It&#8217;s instructive to see how two different hymnodists handle the exact same subject. First, they use two different meters: Addison&#8217;s version is in Long Meter Doubled (L.M.D.) which is [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46,42],"tags":[595,594],"class_list":["post-7653","post","type-post","status-publish","format-standard","hentry","category-book-culture","category-engaging-worship","tag-isaac-watts","tag-joseph-addison"],"_links":{"self":[{"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/7653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7653"}],"version-history":[{"count":4,"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/7653\/revisions"}],"predecessor-version":[{"id":8192,"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/7653\/revisions\/8192"}],"wp:attachment":[{"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}