During the workshop I was co-leading on Friday and Saturday, someone asked if I knew guitar chords to play along with “Spirit of Life,” the Carolyn McDade song that so many Unitarian Universalists are in love with. After ranting about how much I dislike that song because of its boring harmonic structure and banal melody, I finally admitted that I did not know of any good chords to play along with the song.<\/p>\n
But that question kept bothering the back of my mind, and so tonight I went up to the church to borrow a piano and see if I could come up with pleasing chords. I looked at the piano arrangement in the current Unitarian Universalist hymnal, but it’s the kind of arrangement that begets a dirge-like tempo and breathy-voiced singing. So I looked just at the melody, which consists of three eight-measure sections, and I decided each eight-measure section could take the same basic chord progression: C Dm G7 Am C Dm G7 C (or I IIm V7 VIm I IIm V7 I) — a pleasantly folk-y but still boring harmonic structure.<\/p>\n
But then I got to thinking: Maybe if you jazzed up those chords a little, you could create a little more movement in the song. Like this — Well, it’s better, but I haven’t got it quite right (although it does fall nicely on the guitar fingerboard). Maybe someone who is a much better musician than I can come up with a chord progression that makes this song sound good. Or maybe it’s a fatally flawed song that can will always sound dreary. Your comments and ideas, as always, are appreciated.<\/p>\n","protected":false},"excerpt":{"rendered":" During the workshop I was co-leading on Friday and Saturday, someone asked if I knew guitar chords to play along with “Spirit of Life,” the Carolyn McDade song that so many Unitarian Universalists are in love with. After ranting about how much I dislike that song because of its boring harmonic structure and banal melody, […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42],"tags":[131],"class_list":["post-1275","post","type-post","status-publish","format-standard","hentry","category-engaging-worship","tag-hymns"],"_links":{"self":[{"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1275"}],"version-history":[{"count":1,"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1275\/revisions"}],"predecessor-version":[{"id":6589,"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1275\/revisions\/6589"}],"wp:attachment":[{"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.danielharper.org\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nC9 Dm7 G7 CM7 Am7 Dm9 Gm9 FM7
\nC7 Dm7 G7 C7b9 Am7 Dm9 Gm9 FM7
\nC9 Dm7 G7 C7b9 A7 Dm7 Gm7 CM7
\n— played with a Charleston rhythm (1<\/strong> & 2 &<\/strong> 3 & 4 &) [progression modified slightly 4\/17]. <\/p>\n