REA: Experiential and multimedia

The Religious Education Association 2014 conference was more of an experiential, multimedia experience this year — as befits religious educators, who often have a progressive pedagogy. Here’s some evidence that this conference is not just the same old lectures-with-Powerpoints:

Taiko Legacy Chicago at opening Plenary

Above: Taiko Legacy Chicago, live performance at the opening plenary session, accompanying a slide presentation

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Above: Andrea Bieler’s professionally produced video, which included tours of sit-specific art works

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Above: Participatory opening ritual about (un)making and (re)membering violence

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Above: Photo from Precious Blood Reconciliation Ministries, one of three field trips to sites and organizations in Chicago where people are actively working to unmake violence. In the photo above, the center of one of Precious Blood Reconciliation Ministry’s “truth circles”; the four key values of the truth circles are printed on the four cards: confidentiality, listening, respect, and truth.

And while photos were not allowed during her performance, I have to mention “Unveiled,” a one woman play about five Muslim women, written and performed by Rohina Malik.

I should also mention the superb plenary talk by Willie James Jennings. He eschewed the usual Powerpoint slides, and simply spoke to us. He didn’t need slides: his voice, his delivery, what he had to say was gripping on its own, without any need for multimedia. His talk was a reminder that the spoken word can be performed as a lively art, one just as engaging as a one-person play.

REA: “Cross-cultural Analysis” and “Sabbath as Post-Christian Ed”

On Friday afternoon at the Religious Education Association 2014 conference, I attended a colloquium with two presenters: Courtney Goto ofBoston University presented “Troubling Cross-Cultural Analysis in Healing the Effects of Racism,” and Jonathan LeMaster-Smith, doctoral student at Garrett-Evangelical Theological Seminary, presented on “Sabbath as Post-Christian Education: The (De)valuing of Rural Working-Class Persons as Liberation from Socio-Economic Disposability.”

Goto told us that she was presenting work in progress, and what she was going to present differed from the outline on the conference meeting Web site. She is working on two case studies, comparing the way two different cultural communities use aesthetic practices to form people theologically, aesthetically, and culturally.

Her first case study is of Lithuanian rituals on All Saints Day, during which families place candles and decorations at the grave sites of deceased family members. Her second case study is of an All Saints Day ritual at the Sacramento Japanese United Methodist Church.

Since Lithuanians and Japanese Americans are people on the margins, Goto’s research will use the concept of “social death” to explore these two case studies. Social death happens when a group of people is treated as nonpersons by the dominant culture. Examples of victims of social death include Jews during the Holocaust, native Americans in the U.S., etc. Both Japanese Americans and Lithuanians were victims of social death before and during the Second World War. Both communities use All Saints Day to hold rituals which serve as a response to trauma.

Of particular interest to me were the slides that Goto showed of an All Saints Day art installation in the Sacramento Japanese United Methodist Church. 26 yukata (a type of traditional Japanese clothing) were hung from from the ceiling of the sanctuary; another yukata clothed the usually plaint cross at the front of the church. The symbolism — how this art installation represents the way Japanese Americans were treated during the years of internment — was explained during services, in orders of services, etc. I felt this was a powerful example of all-ages religious education in a congregation.

Jonathan LeMaster-Smith spoke about another marginalized group, rural white working class persons. He is in the process of investigating ways to do religious education around the Sabbath in a post-Christian rural working class context. “One possible pedagogical practice is the observance of Sabbath,” LeMaster-Smith said — but not Sabbath in the traditional sense of a day of rest on Sunday (or Saturday).

Rather, LeMaster-Smith wants to ways the concept of Sabbath could be incorporated into popular culture rituals such as, for example, a Hallowe’en bonfire. (One of the participants later pointed out the obvious parallels between the Lithuanian popular culture ritual on All Saints Day described by Goto.) LeMaster-Smith said he saw potential in finding Sabbath-type observances in existing holiday celebrations.

A draft of Lemaster-Smith’s paper is online here. I saw a great deal of potential in this idea of translating the old observance of Sabbath into current post-Christian celebrations. Indeed, I believe some churches and faith communities are already on this path, e.g., many non-Hispanic congregations are incorporating Dias de los Muertos into Sunday services. LeMaster-Smith is simply asking faith communities to take this kind of thing outside the walls of the church building, out into the community. It seems to me that powerful things could happen at the intersection of pop culture and post-Christian religion.

REA: Peace Experiments

The text of the formal presentation portion of my workshop:

Let me begin by telling you about the context in which I do religious education. I’m minister of religious education at the Unitarian Universalist Church of Palo Alto, California, a mainline congregation founded in 1947. Like so many mainline congregations founded in the post-World War II era, today we struggle to adapt to new and different demographic, economic, and theological realities. In particular, we’re trying to figure out what the end of Christendom means to us as a post-Christian congregation, and we’re adapting to an intensely competitive nonprofit landscape.

Four years ago, I suggested to our lay leaders that we might do a six-week spring curriculum unit in peacemaking for K-5 Sunday school classes. That program, which I based on an old 1980s curriculum called “Peace Experiments,” was described by Geez magazine — a magazine subtitle “Holy mischief in an age of fast faith” — like this:

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REA: “My God, what have we done?”

Leah Gunning Francis opened the first plenary session of the Religious Education Association 2014 conference. She introduced the plenary speakers, and informed us that unfortunately Gabriel Moran was not able to be present. Francis lives in St. Louis, Missouri, and given that the theme of this year’s conference is “Religion and Education in the (Un)Making of Violence,” she showed some of her photographs of the protests in Ferguson, Missouri — to the great interest of the conferees.

The first “speaker” was Andrea Bieler, Professor of Practical Theology at the Kirchliche Hochschule in Wuppertal/Bethel, Germany. Bieler did not appear in person; her presentation was a video, in which she spoke, and showed various works of art and other material.

Bieler’s video began with a statement by Theodor Adorno: “The principal demand upon all education is that Auschwitz does not happen again.” Bieler extended this to other instances of systematic violence, including systemic racism in the United States, the state terrorism and “disappearances” in Argentina and Chile, apartheid in South Africa, etc.

In the video, Bieler laid out a nuanced argument, beginning with theories of memory and winding up with a discussion of remembering violence through aesthetic art. I was most interested in her analyses of several site-specific art works in Berlin, particularly the Chapel of Reconciliation, built near the site of the Berlin Wall.

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